WHY Small Paintings?

 Transition 48 x 60 “
I have always made art, painted, but just over thirty years ago I shifted into a more intense artistic focus.  I studied with master painters, read books, took classes and put in my ten thousand hours (plus!)

You would think the size of the paintings would correlate with the size of my working space.  Maybe a LITTLE BIT, but mostly they correlate with the size of my life.  The space for making art now is actually smaller than it was back 20 years ago, but my life has grown exponentially.

Spring Thaw 60 x 40″

I have six children, five have spouses or significant others, a boxer/ridgeback rescue, two cats, two horse brothers, and a husband.   Chaos and complicated is the status quo.  

As family and connections have grown so has the size of my art.  Three-foot square feels petite these days.  It is not unusual for a painting to take 40 to 80 hours to complete.    And that doesn’t count the research that so often accompanies a work of art.  I am not complaining, I love what I do.  Sometimes I wonder if there is a faster, simpler way to get the same result.  So often there are layers and hours of work that in the end are hidden.   Was that time wasted?  I hope not.  I think of it like the layers of our personal lives.  So much happens.  So much transpires that is never seen on the outside, but those are the things that form the structures, the framework of our lives.  (GREAT!  I am hearing the theme song for my Grammie Hannan’s favorite soap opera, Days of Our Lives.  I did not know I knew the theme song until I type those last few words!)

 Migration 6 x 4′
So, you may wonder, what?  I think humongo-sized paintings are awesome and work in quite small spaces, but not everyone wants a humongo-sized painting in their space.

A friend shared about a small works sale she did last year after Thanksgiving.  I wondered if I was even capable of working small.

I AM CAPABLE OF WORKING SMALL!    Yesterday 6.5 x 7″  

I started the late in the summer and finished up last night just shy of midnight.  Working small is like a bag of potato chips, “you can’t eat just one.”  I devoured several proverbial bags of chips and I finished over 80 small paintings.  My husband cut the matboards for the paintings and as of just shy of midnight Saturday, November 17, 2018 I have three left.  David informed me that he will not be cutting any more mats for a while.  (If you wonder why the watercolor paintings are not matted, this is why and we will never speak of it again.)  Thank you, David, for making these little gems possible.

Hidden in the Shadows 3 x 3″
I wanted to make paintings that would fit into intimate spaces.  Paintings that could hold a space for dreams and memories.  Maybe a conversation starter.  Possibly a respite from a weary world.  A harbinger of more.  There is so much duplication in the universe.   Part of the magic of original art is that it is original.  Unique.  One of a kind.

My Heart 5.5 x 5.5″  

Each one of these paintings was loving brought into the world.  The decisions per square inch ratio of a small work of art is stunningly more intense than working large.  I learned a great deal creating them.  My hope was that they would carry that forward with them into the world, the ability to teach.

 Emergency 3 x 3″

I have beautiful small things all through my home and studio.   Maybe too many small things, but they give me a place to pause and collect my thoughts.  I have a collection of glass paperweights.  I had one and when Jubilee was little she took an interest and started collecting them.

Faeries and Frogs  3 x 3″      

She lost interest and the collection has made it’s way to my studio windowsill.  I love the variety.   I love the liquidity of something solid.  I love the colors.   I love that someone’s breath, someone’s hand, someone’s training, someone’s creativity, someone’s moment in time has traveled through time and space to rest upon my desk and inspire joy.

 Beginnings 4 x 4″

For me these objects of beauty offer a space for my mind to quiet and my heart to settle and for my spirit to heal and hear.

Strides 6 x 6″

My goal in creating these small paintings is to hold out the possibility of rest and comfort to be discovered in a small bit of beauty.

For your consideration, The 2018 Holiday Small Works Sale.

Sincerely, Gwen

Considerations 4 x 4″

PS  Please sign up for emal blog while you are there.  If you do you will be entered for a free small painting giveaway and you will receive a digital access to a painting that is perfect for holiday cards and correspondence.

Balance is an unruly dog forever digging beneath the fence and running away.

Balance is an unruly dog forever digging beneath the fence and running away.

“Balance, get back here. Bad dog, bad, BAD DOG! Go home, Balance, Go home!” (Out of breath, with hands on her hips, she stamps her foot indignantly.) End scene. The work continues.
Life continues.
The work cannot move forward without me.
Life doesn’t hesitate to leave me behind.

Some days I would rather paint than attend to life.
Wrestling beauty from chaos, my painting process,
is very much like living life.

Very much, but not quite

When I am too long in the paint,
the living becomes thin.

Not the good kind of, “oh, I lost three pounds!” thin,
but the thinness of shallowness.

The process of painting 
is the solution of,
the resolution of,
the re-solution of

one problem after another.
The process of art
is the scaling of obstacles
created
by the prior solution.

Problem-solving is addictive.
It is the “solving” that keeps the artist going.

Each painting begs the next.
Before the paint is dry,  

 the next has begun.

If not on canvas then in the heart and mind.
There is never “left-over” paint.

Never. 

In lies the dilemma: never.


The artist must fight to create a pause between works.
To live in the work is easier than living in the world.

A concerted effort is required to stand by and walk out one’s priorities.

Life informs creativity. When this is not true, you can see it in the work. The work reveals technique rather than the heart.


Years and life develop character and art.

The line of separation
between art and life
is a fine line indeed.

Creativity and life are inconvenient. 

It is significantly easier to deal
with pigment and substrate
than to engage
emotions and humanity. Honestly, it is easier to paint than deal with myself.

Artists forget that art flows from the living.

The cart is in front of the horse.
The horse is confused
and we wonder,
“Why we aren’t getting anywhere?”

Art for art’s sake.  
That old trope?

Yes.
And
no.

Art is not either/or.
Art is both/and. 

We (and by we I mean I.)

We
push and push
until there is nothing left to draw from.
There is only technique.

Thinness.  Shallowness.

The work! The work!
It becomes idol

Idols are attractive because of their ease.
No thinking.
No questions.
Dogma.

The work! The work! A calling.

When does one’s calling become one’s idol?

Through social media, I recently reconnected with an elderly artist. Almost seventy years of stellar work. In his late 80s, he continues to create achingly poignant work.

Alone.

Divorced several times (still looking for that “sugar-momma”.)
No children.
“Children are a distraction,” he told me. And yes, all six of my children were and are glorious distractions. They are also inspiration.

Before I had children I “did not have time to paint.” For me, children brought focus. Clarity. And, yes, distraction.

Elderly artist lived a life dedicated to the work. His focus was always first and foremost his art. He was bitter when I met him a dozen years ago and he remains bitter today.

Rattled- I turned to the powers of Facebook- I looked up some of elderly artist’s peers.


I found another artist friend also dedicated to his craft but who just celebrated his 90th birthday and sixty-ninth wedding anniversary with wife, children, grands, and greats. From his LIFE flowed great art and generosity.


Both men painted and taught. One joyous. One bitter. One alone. One surrounded by family. Both made beautiful and significant work. They began in relatively the same place and they have ended up artist peers.

 It is their journeys that diverged.

Sobering. Sobering is a good word because there is an addictive euphoria experienced when the artist is in “the zone.”

You can’t drink from a dry well.
What fills the well?
Values? Priorities?

When how we spend our time does not line up with our stated/believed values and priorities, it is time to ask if those truly ARE our values.

Talk.
Walk.

Saturday I stopped in the middle of “the work” and a tight deadline for a museum festival, coconut ice cream, and artist lecture at the Amon Carter with Jubilee.

I did not want to stop. Jubilee did not want to go. Niggling at the back of my consciousness were two elderly artists. Life called. The work called. For a few hours I chose to allow life to inform the work. And we had fun.

The work is not my life.

The work is an important part of who I am but it is not who I am.

The workflows from living.
Work from work produces technique. Work as an overflow of life produces heart. When I paint I put my heart into the work. I am giving the best of me in that moment. The best of me is less when I am consumed with the work.

(Make no bones about it, being consumed by the work is AWESOME!)

Some weeks play out better than others.
This past weekend I chose wisely.

It takes more discipline than I am usually able to muster to keep first things first. Family. Books. Journaling. Nature.

If these are not in place the art suffers.
My soul suffers
– and yet –
I continually neglect family, friends, reading, horses, all the things that make me who I am.


Thank goodness I am not a weaver or it would be quite the tangled web. I am discovering, gradually, that during those seasons when I am most vigilant to protect my values, those seasons when I diligently stand by my priorities, that I am at peace and the art flows.

Today I know my priorities.
Next week I may forget.
If
I forget,
WHEN
I forget,
will remind me?

Go now,
live and love.
There are no guarantees
that the work,
no matter the work,
is anything but an empty idol.

Never lose perspective…
and when you do lose perspective-
course correct.
Don’t waste time beating yourself up.
There is neither time nor energy for that.
When you recognize the drift, straighten up.
ASAP.

Create a life
from which flows
abundant beauty.

PS I was reading e.e. cummings and how he diddled with fonts and word placement.I have always loved to diddle with the words and after reading about cummings I am giving myself permission to diddle with the words.I do hope you were more entertained than annoyed. Peace out, Gwen


PPS or PSS
I had my hair done today. Laura Valles at Salon District in Fort Worth. Monday they open in a new location at 207 South Main FW. A talented array of creatives. We have worked with Laura for going on 11 years. I had color in my hair back in the day. I HAVE COLOR AGAIN! And it is SWEATER weather today.


PPPS. (or whatever) The images are work in progress shots of a painting I am creating as a storyteller for the Human Rights Initiative 2018 fundraiser. It is not finished yet. The reveal will happen at the Rock Your HeART Out October 27th, 2018.

If you are in, near, or can get to Dallas. It will be worth your time and money to attend. Here is a documentary about one of last year’s clients. https://www.youtube.com/watch?v=eNlpfm_2VYs&featur…

And a final note, PPPP?S? I am planning on learning how to crop my images before the next email, but let us NOT hold our collective breaths. PEACE Y’ALL!

 

2048 Distractions

Hello, Dear One,
I hope that you have enjoyed the reprieve from gray skies and welcome rains.
(At least the rains were welcome in my neck of the woods.)

I have been SO busy! Two thousand and forty-eight distractions eating away at my time and vitality.

Two thousand and forty-eight.  A rather specific number.  Did you catch the reference?  If you did I am quite sorry because if you did it is also quite possible that you also have 2048 distractions sucking the brains out of your head.

For those of you who have yet to succumb to the addiction- DON’T!  There is a computer “game” called 2048 Tiles.  A small box in the top right-hand corner of the screen tracks your high score.  The high score sits, in the upper right-hand corner, TAUNTING me!

It is insidious.  Was my high score a fluke?  Luck?  Skill?
If it was skill then – surely – I can do it AGAIN.Go ahead, PROVE that it was more than luck.  “Do BETTER and THEN you can quit.”   Each time I fail to achieve or best my “high score” my ego punches me in the gut and snarls, “IDIOT! Can you NOT do BETTER?”  Sometimes there is only the internal, “Grrrrrrrrrrowl.”

It.

Mocks.

Me.

The “game” is not inherently evil, but it is akin to the Amazon Book Addiction Wraith which perpetually asks, “If you like THIS book, surely you will love THAT book.” (Okay, so the exact wording may be a little off, but if you have ever hit that button to look at that next book, well, my sympathies.)

What does this have to do with art?

Everything.

Forrest, my eldest son, was paid $150 for a t-shirt design: I have not yet begun to procrastinate.

Tree.
Apple.

Truthfully, while Forrest can indeed procrastinate with the best procrastinators, he is, more often than not, laser focused.

Apple.
Tree.

I, too, am capable of both.  World class procrastination and laser focus.  When I had six small children at home there was no time for procrastination.  Twenty hours a week painting and the rest of the time was mommying, homeschool, horses, the occasional friend, and the sacred nap.

Thinking is harder than doing.  With so many precious ones underfoot, all I could do was DO.  There was no time for second-guessing.

Now with only a single middle school daughter at home and there is time to think.  There is time for second-guessing.  Oh, and second-guessing is brutal.  Brutal and paralyzing.

Rather than deal with self-doubt and second-guessing, I self-medicate.  Enter 2048 Tiles.  There are myriad of self-medicating procrastinations available to us all.  The only question is, “Which poison?”

Preparing for Centering Abstraction on the heels of the holidays kept me focused.
Preparing for the DTS show in Dallas kept me focused.

Then I sat down to catch my breath.  Catching one’s breath is a good thing.
Picking up the computer mouse is not a bad thing.
Playing a couple games on the computer is not a bad thing.
Playing more than a couple games…
a.
bad.
thing.

So I stalled out for a few days.  Spun in the breeze like a wind-sock on the end of a pole.  At the end of the pole, spinning in one of our infamous North Texas thunderstorms, I saw the heart of my particular form of procrastination.  Fear.  Fear of “what if?”

What if my parents are right?
I will never amount to anything.  No one will love me.  I will never be good enough.
What if my sister is right?
I am a talentless c#%+.

THIS TIME I was armed.  This time I had answers to the question, “What if….?”
The answer is, “It was never about me.”

This past week I pushed through some procrastinations.  I reworked my artist statement for two different venues.  I applied for a scholarship and asked for a job.  I have not heard about the job – yet- but I did get a magazine cover and the check is in the mail!  There were successes that I pooh-poohed because I “could have…”

I caught myself and I took time to sit back and see that, while I flitting away too much time on the computer, I had actually spent six to eight hours a day painting and writing and following through with responsibilities and possibilities.  I also made it to bed before 1 a.m.   FOUR TIMES this past week- just call me Susie Sunshine!

The last Sunday of the Gallery 414 show included a closing reception and an artist panel discussion about artist journeys and creating the Centering Abstraction exhibition.  The panel discussion took a turn and our fearless leaders, John Hartley and Barbara Koerble, laid down some serious wisdom.  It was the insight that I sincerely needed to hear.   Insight made tangible because I was standing in a gallery space with my work hanging with the other three artists.  So, what if my degrees are in computers and statistics.  I have put in the time and I have studied with master artists.  I am qualified.  I felt something shift.

This week self-doubt wiggled in but armed with a new understanding of where I am in my art journey I wiggled free.  I have plans for next week, but I am holding them loosely.

Art is so weird  Artists are so weird.  What is art?  What makes a person an artist?

Like the proverbial Facebook status: It is complicated.

I will not attempt to answer either question EXCEPT that one knows it when one sees it.  If the art tugs at your heartstrings, it is art.  If it calls to you might need to take it home.  Art in an investment in your soul.

May your heart find joy this week.
Joy in art.
Joy in nature.
Joy in the smile of a stranger.
Joy.

Peace out, Gwen

Parties and Faulty Computers

I have a new HP computer.  A RED laptop with a large screen.  (Color was the same prices as regular silver! )  IT IS BEAUTIFUL!  Things are in different places than I am accustomed to seeing them.  I did not realize how well trained I am to a particular screen size.  My neck swivels with this screen!

I have used my new computer for three weeks.  Last night the plugin for the power cord stopped working!  It works- IF I jiggle the cord.  It is too soon to be jiggling things to get them to work.

So instead of writing the pithy and clever email tI intended, I am spent just shy of an hour online with support. (It was SO HARD not to put support inside of quotes- unironically of course.)  Palash helped me.  I do not know if Palash is a woman or a man.  I think I will google it.  Hang on a minute.  I will be right back.

THANK YOU FOR WAITING. 

Here is what I found.  Flowery Tree.  So I think female.  Nope.
Palash means Green or blossom of the tree Butea Frondosa (Sanskrit: किंशुक, Hindi: पलाश). It is a species of Butea native to tropical and sub-tropical parts of the Indian Subcontinent and Southeast Asia. The flowers are used to prepare traditional Holi color. It is said that the tree is a form of Agnidev, God of Fire.   Names are awesome.  I should have googled it while I was waiting to see if Palash knew how google interpreted his name.  Next time. (OH! I HOPE THERE IS NO NEXT TIME!)

  Back to my first world tale of woe.

I live in Benbrook, which is a suburb of Fort Worth, which when lumped together with Dallas and Arlington and a few other close neighbors is the FOURTH LARGEST metropolitan in the United States.  HP is charging $25 for one way shipping because they do not have any other options “in my area.”  MY AREA!  That time the quotes indicated my snarky verbalization of “in my area.”  There, I did it again.

So I type into the chat that I am not happy about paying the $25 since it is a brand new machine and the machine is faulty.  Eventually, Palash offers a $15 option that takes longer to get to me.  Well, I NEED my computer this week to get ready for the reception on Saturday so waiting two more days for the box allows me to work and jiggling is not that difficult.

OH, DO COME IF YOU CAN!  
To the RECEPTION ON SATURDAY!
January 27, 2018, 6 – 9 Gallery 414
414 Tempelton, FW, TX. 

So I take the lesser option and ask for a way to complain about no pickup options in the fourth largest metropolitan area in the entire United States of America.  What Palash offers is a discounted extended warranty that will include shipping for this time.  This reduces the price and we take the two years extended warranty.  David did point out that the laptop only cost $400.  Well, now it cost $475.  The last laptop lasted 7 or 8 years.  Jubilee is using it for her school.  If this one lasts five years that averages out to $95 a year.  That prorates to $7.95 a month for the computer.  I get $8 of use out of it each month.  Cost less than Netflix or Hulu.

A longtime friend died last Tuesday.  She had a rare bile duct cancer and lived only eight months after diagnosis.  She was a good woman.  Her daughters, 28 and 26 are good women.  Her husband is a good man.  My computer requires that I jiggle the power cord to get it to work.
Perspective.
Perspective is sobering.
Sherry’s funeral starts four and a half hours before I need to be at Gallery 414 to set up for the reception.

Sometimes we fuss over jiggling cords to take a break from real life.

When I stop jiggling the cord and I stop jiggling with Palash who was so kind on HP tech support the other emotions roll in.  Sherry was miserable and in a great deal of pain.  It was hard to tell which was worse, cancer or complications from treatments.  She fought the good fight and now she is at rest and at peace.  I cry for all that Sherry will miss as her daughters come into their full humanity.  Maybe there will be spouses, possibly children, certainly adventures.  I cry for the young women who will be there for each other but will desperately miss their mother.  I cry for Mitch who will be fine- eventually.  Normal will never be again.  Only a new normal.  A normal forever with a piece missing.

The emotions come with clarity.  Clarity that death brings concerning the illusion of control.   Control is all mirrors and vapers.

So, I gripe about my computer which I will put in a box that the Fed Ex person will collect from me while standing on my front porch.  Seven to nine days later the box will magically reappear on my front porch and my computer will be fixed.  By that time the reception will be over and I will have gotten a great deal of painting done because I can’t work without my computer.

First world problems and parties.

If you can not make it to the reception, I sincerely hope you will take a few extra moments to see something beautiful.
Maybe in a museum.
Maybe tea in a beautiful cup.
Maybe in an independent gallery or alternative creative space.
Wherever you are and whatever beauty you are beholding, remember me.  Just a nod.
Remember control is an illusion and embrace the moment, open your heart, and receive the beauty offered.
In sharing my art, I am also sharing my heart.  When you receive beauty, in that moment your heart is open to more.
May, this week, your heart be touched ever so gently.
May you receive and exude beauty.

peace out, Gwen

 

Cookies and Art! Win/win

Saturday, January 27th from 6 to 8 Gallery 414 Artist Reception for Centering Abstraction.  A four-person exhibition curated by Barbara Koerble. 

Barbara was inspired when she noticed connections between the ways the artists incorporated traditional drawing techniques in untraditional ways in their paintings.  Each artist found a unique way to blur the line (maybe I intended that pun)  between painting and drawing. All four artists use color to reflect their hopeful spirits.   I am thrilled to be part of this collaboration.

PLEASE COME TO THE RECEPTION which begins at 6 and runs to 9 Saturday evening January 27th, 2018.  happy new year!
Gallery 414 414 Templeton Dr, Fort Worth, TX 76107
There will be cookies.
Cookies and art.  A huge Win/Win!

Here are a few details from  Silver and Horsemint, one of my paintings that is in the show.  I hope to see you there.
If you can not be there, please invite friends in Fort Worth and the Metroplex.   This is my first gallery show in the Metroplex and the more the merrier!

Yee Haw! 

Thank you, Gwen

Life, Death, and Serendipity

Gerda, Stephanie, Joyce, Gwen once upon a time at an IAM gathering in NYC

Last night I learned of a friend’s death.
She died in September of 2015.
Joyce and I had corresponded for ten years. Not often, but once a year or so, and we spent time together each year at the International Arts Movement (IAM) gatherings. We would sit together, and share meals, friends, and stories. October 2014 was the last IAM gathering and Meaghan Ritchey did a splendid job putting it all together. That week Joyce and I wondered what would happen to the friendships of such widely dispersed people held together by this brief annual meeting. Artists and creatives from across the states and around the world. For some of us, this connection kept us going throughout the rest of the lonely year. We wondered and hoped for the best. After the glorious grand finale banquet, Joyce and I shared a cab. It was raining and icky out. I was planning on taking the subway, but my hotel was on the way to her’s so it was not an imposition. Besides, the end of something so important is hard and the cab ride extended the event a few more minutes.

 

I remember the last time I spoke with Joyce, but I do not remember when it was. Joyce called rather than write. It was so good to hear her voice. It did not seem like a goodbye.
Joyce was an important person who knew important people. People whose work I admired while it hung on the walls of my favorite museums. To me, they were abstract art gods, names on labels and in books. To Joyce they were friends. Her stories were not about celebrities, but people. Some of these people happened to be celebrities.

While she moved in big city circles, she lived in Colorado and had a western mindset and heart. Perhaps our pioneer roots connected? Or, maybe it was something more mundane and yet extraordinary that began our friendship.

Kara Walker: My Complement, My Enemy, My Oppressor, My Love

Wait a minute, I knew about the Marie Walsh Sharpe Art Foundation from International Arts Movement (IAM) gatherings in NYC. I knew Marie Sharp! (I wrongly assumed, with the passage of time, that the woman speaking, the head of the Marie Sharp Foundation, was Marie Sharp.)

Sylvia gently, and with a good sense of humor, explained to me that I did NOT know Marie Sharp as she had been dead for quite a while. Eventually, we puzzled it out. The key had been when I told Sylvia that she looks like you.
Sylvia said, “You met my sister, Joyce!”

The world is small. Be careful what you say about people. You might be talking to their big sister.

The next year at the at the IAM gathering my friend and fellow creative, Ping, and I ran into Joyce in the bathroom. Joyce was important and we were not, but bathrooms are great equalizers so I told Joyce the story of meeting her sister. I had forgotten Sylvia’s name, but Joyce knew who had the book so it was not long before we had all the details sorted out. “You met my sister, Sylvia!” Laughter ensued and we all went to dinner and were fast friends ever after.

Joyce was both an encourager and a story teller. So I am.

The next year my oldest two children, Ruth Meharg and Forrest Davidson (I will explain his last name another time), joined me at IAM and I was able to introduce them to Joyce. We shared stories about life, art, and her grandchildren. Our impromptu dinner club kept growing.

I knit a “Generative Bunny” one year for the IAM show. Her she is, too big for her box!

Ruth, Forrest, and I stayed on in NYC for a few extra days after the IAM gathering to see sights and we ran into Joyce at the Strand Bookstore. She was adding to her children’s book collection. We compared our finds and she went back in to get a book that we introduced her to. (I wish I could remember which book it was.) 

Another year, crossing a street at night, Joyce pointed out two young men crossing from the other side. She called out and they exchanged waves. She told me who they were and shared their philosophies as creatives. Rex Hausmann, artist and community builder in San Antonio, and I connected later on Joyce’s recommendation. A new artist friend. (Google Rex. He is amazing!)  So many new friends.
Beyond art and family, we connected on faith. Joyce lived out of her faith. She rubbed elbows with movers and shakers and she was not moved. She was light everywhere she went. She was also tough. I like that combination. My life is brighter for her presence.

I am not sure how we started writing letters. Maybe I sent her a thank you note? Maybe she, a master communicator, sent me a note- I do not remember, but it started and I am thankful. Sometimes we wrote notes and other times letters. I wrote because she had sewn into my life and I appreciated her. I also wanted to share my creative journey. I think Joyce wrote back out of kindness.
I was aware that I had not heard from Joyce for a while, but she was a VERY busy woman and not busy in the fussy kind of way. Joyce got things done. I had no idea how long it had been since we visited.

I am not a linear thinker. I tend to bunch similar events together in my mind. All the IAM gatherings, in my heart and head, are one enormous, glorious event! I had some postcards printed with my artwork on them. They turned out so nice that I decided I needed to get back to writing notes. I wrote to Joyce.

Yesterday came the call from Colorado Springs, CO. The connection was bad. I could not understand who was calling. I asked her to call me back on the landline. By the time the caller finally heard all ten numbers the line had cleared. It was Kathi.

Kathi is Joyce’s daughter. She told me her mom had died in September 2015. I tried not to cry, but I cried a little.
Kathi and I had a good visit. She is a painter, too. I think someday our paths will cross. I hope so. Heck, out of 400+ people in a line I met her Aunt Sylvia and the next year I met her mom in a NYC bathroom. Meeting Kathi would be the least strange connection!

Joyce became sick in July and died of cancer in September. Kathi told me that her mom made the most of the time she had left after the diagnosis. Joyce made the most of her time before the diagnosis, too. Her last months were filled with family and friends. Her youngest grandchild heard Joyce give a talk about her vision. (I wonder if this was the grandchild that she was buying the books for when we ran into her in the Strand. (We crossed paths in the Strand two different years. If you are not familiar with the Strand, it would behoove you to look it up.)
Joyce sang in her church choir for decades. Kathi shared that 70 members of the choir came to the house to sing with and for Joyce. They left and she died a half hour later with her family close. It was a good end.

Tears welled up sporadically yesterday afternoon and evening. Joyce and I were separated by generation and distance, but she was dear to my heart. This morning snippets of that last conversation are coming to mind. Seems like she was telling me about new music the choir was preparing for the 2014 Christmas season.

The moral?

Write letters. Don’t wait. Surround yourself with family, friends, and people who sing songs.
Do what you are called to do. (Calling and job do not have to be the same to be happy.)
Buy children’s books. Go to banquets. Share cabs. And talk to strangers standing with you in long lines.

I am very glad I did.

But, WHERE AM I IN THE BOOK?

 

Art is not created in a vacuum.   The solitary artist is influenced by living.
The line drawn between art and artist is not often a straight line, but a culmination of what has been, what is, and what might be.
Creating is a hopeful act.   The creator hopes or the creator would not create.  Some days I am bold enough to say that without hope, creation is not possible.
I paint hope.
Hope that the mess of living will ultimately resolve into beauty.
Hope is the faith component of my work. Hope is the human component of my work.   Hope qualifies my work as a contemporary artist because I paint in response to now.   Hope, while addressing what has been and what might be,  deals directly with the here and now-today.
Awareness of past mixed and with consideration for the future empowers and enables now.
The balance is delicate.
My faith tradition is one of happy endings.
To leave unacknowledged the struggle and pain of living is disingenuous.  No life is without struggle or pain, no path is without obstacle.
This summer as a church we are reading through the book of Genesis.   I find these stories painful, partly because of how they have been preached in the past.  These are ancient and difficult stories.  So what do we do with these hard stories?  We cast them aside as fodder for the children’s programs.

Unexplored since childhood there are surprises for the adult heart.

Most of us who grew up in church heard sermons by males who failed to present a full spectrum of characters in the stories.

There are always women in the stories.
Women who are seldom considered.
Women who are dismissed, glossed over or present with bias. The female characters are presented as NOT-QUITE-HUMAN.  
(Did Michaelangelo never see a nude woman? )  The image of women is not only distorted by the greats in art but by the greats in theology, today and throughout history.

One of the joys of attending Trinity Episcopal is the consideration of the women in the stories. These women are invited to come forward, to step out from behind the wall and share their stories.    Women who have been treated as aside are treated with respect.  The women’s stories are not just included, but celebrated.
Agency is returned to the women of the Bible stories.
WHAT does this have to do with art?
Is it even remotely related?
Painting is my voice.  Visual art is my avenue to be heard.  Art gives me agency.
This past Sunday Amy Haynie, one of our priests,  shone a light on an oft-maligned or even ignored character:  Hagar.   The sermon is not yet up on the podcasts and I am so sorry for that.  I don’t know when it will go up.  I will let you know.

Here is an excerpt from the Monday morning email, this one sent by Mother Amy Haynie concerning her sermon on Hagar, “In studying the two stories of Hagar we get in Genesis, we find a remarkable woman to whom God speaks to twice. She is much more than a “slave woman.” Phyllis Trible, in Texts of Terror, wrote of Hagar,

“Most especially, all sorts of rejected women find their stories in her. She is the faithful maid exploited, the black woman used by the male and abused by the female of the ruling class, the surrogate mother, the resident alien without legal recourse, the other woman, the runaway youth, the religious fleeing from affliction, the pregnant young woman alone, the expelled wife, the divorced mother with child, the shopping bag woman carrying bread and water, the homeless woman, the indigent relying upon handouts from the power structures, the welfare mother, and self-effacing female whose own identity shrinks in service to others.” “
This is a painting of the sacrament of Holy Communion. The Eucharist. Lords Supper. 45 x 75 inches acrylic on paper by Gwen Meharg
The word Gospel means “good news.”  In today’s world, what is presented as gospel is too often wielded as a weapon of destruction.
Sunday, the third Sunday in Ordinary Time, Amy offered extraordinarily good news.

Two Choices by Gwen Meharg 30 x 22″ watercolor on paper

Amy held out evidence from the Good Book that God sees women.   And not just neat and tidy women.  Women rode hard and put up wet.   Women who have thrown under and driven over by the proverbial bus.

And the proverbial bus?
It is real.
So very, very real.
The driver of that bus looks like the invented, man-made, created God revered by generations of empowered men.  Men who have failed to use their power to

Gwen Meharg in front of Transition painting.

empower, particularly failing to empower women.

The first recorded name of God is assigned by Hagar, “God Who Sees Me.”
Another commonly used name for God is God Almighty.  El Shaddai. The Breasted One.
The Breasted One is NOT driving the bus.
Giving voice to the women in the Bible takes nothing away from men.
Giving voice to women in society today takes nothing away from men.
This is my baby, Jubilee.  She is empowered by her four older brothers and big sister.  She is empowered by El Shaddai, God Almighty, the Breasted One.   Jubilee doesn’t know the bus driver and our prayer is that she never meet him.  Our prayer is that she continues as a walking, breathing, living image of God.
Hope in Bluegreen and Silver bronze
And so I paint.  I paint hope.  I paint to give voice to stories old and I paint to make old stories new.  There may be nothing new under the sun, but that does not mean there is not something new for you and me to see.
I hope you have an enlightening week.  I hope you are seen.  I hope you are heard.  I hope that your heart and mind find peace.   Sincerely, Gwen
PS  A plethora of names for God are scattered throughout the old and new testaments.  El Shaddai, the breasted one, God Almighty is in there.
NONE of the names of God is “The Penised One.”
JUST SAYING!

Rats Scurry. People Ought Not.

14947789_1325730707479339_9033128899126711905_nI am writing from Holly Colorado.   I am sitting on the second floor (corner room) with a lovely window that rounds what would typically be a square corner.   Since I am working that makes this a CORNER OFFICE!  I. Have. Arrived.

Looking out I see other buildings, like mine from the mid 1800s and all the inner corners facing the cross streets are rounded.  It is quite lovely.

 

It was also disorienting during the night trying to find the bed  in a room with five walls instead of four.    I was the thing that went bump in the night.

This morning I am brewing PG Tips tea in a clear water bottle sitting on my corner window ledge.  It won’t be ready until this afternoon, but today I am not participating in the rat race.

Today I will not scurry.  Rats scurry.  People, while more than a few are rat-like, ought not to scurry.  Nothing good comes from the scurry.
For the past month I have been scurrying.  Yes, I finished three paintings, but the scurry did not get them done.  Actually, IF I had avoided the scurry I am certain that at least one more would be complete and possibly one or two more.  Scurry shuts down the brain’s ability to truly prioritize.

The urgent obliterates the important.

I KNOW this and yet….dsc_0126

Today I am on my way to Denver to spend time at the Denver Art Museum (DAM) and the Stills Museum next door.  Maybe some Red Rock hiking.  We will see.  We will see.   Instead of scurrying out and speed (not speeding!) towards Denver I decided to sit down. I am sitting in my simple corner room and watching my tea begin its slow brew.

It is quiet except for the occasional passing pick up truck.  The sunshine is nice.  Breathing is nice.
(Wow, that last pick up had a muffler!)
Carley Hughes, our priest at Trinity Episcopal Church in Fort Worth, challenged us to take 30 seconds- just THIRTY SECONDS- five times a day and be still.  I wanted to do it.  I was certain I could do it.

I have not done it yet.

It has been two weeks.  TODAY I am taking my 2 1/2 minutes to just be still.  Maybe I’ll talk to God.  Maybe I will just listen.  Maybe I will just be.

My art comes from connecting with the world around me.  From readi
ng.  From journaling.  From connecting disparate ideas and concepts.   I can’t do that scurrying.   I have to be still.  In my mad dash to “get it all done,” to “do it right,” TO JUSTIFY MAKING ART I have cut myself off from the joy of what I do and who I was created to be.

Scurrying is not good for anyone.  dsc_0102
It is not good for me.
It is not good for my family.
It is not good for my art.
It is not good for my community.

I wager that it is not good for you.

Give Carley’s challenge a go this week.
Thirty seconds, morning, meals, bedtime.
Find two and a half minutes to connect with yourself and your greater purpose.

A purpose beyond politics.

Time to check out.  (Literally, it is check-out time at the inn.)

PEACE!

Aberrations

Series. DSCN7977

World series.  Book series.

Television series.

Series are all about connections.   A leads to B.  B leads to C.  On and on to a conclusion.

 

As an artist, I work in series.  Series and sub-series and aberrations of series.

 

DSCN9222It is the connections that fascinate my mind and entice my heart.  Connections are all around us.  They swarm like gnats on a summer night and can be quite annoying.  Right now I can’t turn on the radio, pick up a newspaper, read an online article without the subjects circling back onto each other and forming connections in my mind.   Fixed mindset.  Growth mindset.  Mercy.  Grace. Kindness.  Rising early.  HOPE.  Everything I am seeing and hearing weaves into these themes, which, in my mind, are woven together.

Is this really happening?  Is the universes dealing with these isn1102413009_467690_3194645sues right now, everywhere, with everyone, or is this just the filter of my mind and simply a collaboration between the universe and my heart?   Cliché has it that artists often hear the rumblings of the universe early on.   Sometimes the cliché touches on a morsel of truth.

Picture 757I don’t know.  What I do know is that it is important to pay attention when things circle around.   If I notice a theme circling around again and again, it is time to stop and ponder.   Ask questions of the world and of myself.  I journal.  In journaling, I often learn deeper truths.  Journaling helps me see.

 

I work in series.   Painting A leads to Painting B which leads to painting C DSCN9464which occasionally leads to painting R!   The aberration.   When painting R pops up I don’t smack it down.  I embrace it.  I look at it.  I ponder it.  I talk to it.  I ask it questions.   What are you saying?  Are you a new direction or a happy little diversion?

Sometimes I set R to the side and wait for the series to catch up.  Sometimes R marks the end of the current series and the beginning of something new.  My Revelation painting (my R painting) was like that.  Everything that went before was over.  At least it was over for a season.   A new series had begun.  (I am hearing A New Day Has Begun from the Annie musical while I am typing this.  Annoying!)

 

ArtForStripes014I am a connector.   I draw lines between ideas, dreams and people.   I am adding a new gallery to www.GwenMeharg.com soon.  I might call it Aberrations.   It will be filled with those paintings that aren’t willing to wait their turn.  The ones I entertain for moment, but am not quite ready to invite home.

Artists work in series, but sometimes the muse has other ideas.   There is a “rule” in the “art world” that working outside a series is amateurish.   Pish posh!   Yes, working in series is important.  It is how we learn, all of us.  Working in series is good practice, but practice is not rule.  As the internet redefines the “art world” the “rules” that have held creativity hostage are falling away.

ArtForStripes017Lawyers practice law.  Doctors practice medicine.  Artists practice art.  We practice because there is no true end.  There is only stopping or quitting. Practice evolves and continues.   In truth an art series may end, but seldom is it complete.  It ends not because painting Z was reached and there are no more letters.   A series ends because the next demands to begin.

Thank you for connecting with me.   Thank you for connecting with my art.   Thank you for sharing your thoughts and ideas with me.  They often find their way into my series and deepen my understanding of the circle of connections.

DSCN9440Happy Valentine’s Day.  May it be filled with hope and kindness.

Pie, Creativity, and the ART of MORE!

Pie is an excellent dessert but a poor mind set.

Pie, Creativity, & the Art of More

I like pie.
Crust.
Filling!
No ice cream.  Ice cream is like sugar in tea.
It is only necessary if there is a problem with the tea.

Some places don’t have pie.

Poland – no pie.  I fantasize moving to Poland, opening a pie shop, and becoming rich and famous.  The hitch?  Besides Poland being in Eastern Europe, the hitch is I have never made a pie and I am a very bad cook.  I mentioned making dinner today and Peter (16) laughed out loud and said, “No, Momma, seriously.”  A shadow of fear crossed his face and he offered to make dinner himself.  Maybe I will keep painting.

I digress.

Pie.  Pie is an intimate dessert.  Pie is difficult to share with a crowd. Wedding cakes and birthday cakes can be sliced into a plethora of tiny pieces and slapped on a napkin to be eaten standing up.  Pie will have none of that.  Pie begs a comfortable chair and demands a fork and a plate!  Tiny slices of pie? HMMPH!

Pie, with all its benefits as a dessert,
is not a healthy mindset.  

The pie mindset sees a set number of slices.  Each time a slice of pie is handed out there is less to go around.  It is a scarcity mentality.  It makes us selfish.  It turns us against.  It kills possibility.

But I am an artist so let us speak not of scarcity,
let us speak of creativity, art, and abundance.
  

Art, the manifest expression of creativity, is not diminished through sharing.
Art shared is multiplied.  
Creativity blooms in an environment of generosity.

We see it in children.  Watch a young child share a drawing with an appreciative adult.  Sparkling in the acceptance of her offering, she rushes back to create another.  Confession time – I am no different.  Adult artists are not that different from the child sharing her creative endeavor.  Acceptance of, appreciation of, our work makes us sparkle.  (I am so glad my teenagers don’t read my blog or I would NEVER hear the end of sparkle.)  Some artists hide the sparkle, but believe me, it is there. I am far enough into my journey as an artist that my work is not dependent on universal acceptance or appreciation, but when it comes along it is definitely encouraging.

Some in the art world would push scarcity.  Artists end up competing for limited wall space in galleries. There IS a scarcity of wall space within galleries and there are fewer and fewer galleries. The economy closed doors and poor management closed even more. It is easy to be discouraged, looking at an empty pie tin. But I am a more-the-merrier kind of gal.  There IS room for more.

We are in a season of flux.  Social media and the internet are making room for MORE.  There is a new abundance in the art world.  There has never been a better time to be an artist or an art collector. The world of art is at our fingertips and we can visit in our jammies!

Did you see the quote from President Obama floating around facebook today?  Set politics aside for a moment and imagine why artists of all varieties are sparkling today:

“The arts are what makes life worth living. You’ve got food, you’ve got shelter, yeah.  
But the things that make you laugh, make you cry, make you connect – make you love are communicated through the arts.  They aren’t extras.” 

The pie mentality says that the arts ARE extra.  There is not enough to go around.  Not enough time.  Not enough money.  Not enough pie.

I grew up Southern Baptist.  Now somehow my little corner of the Baptist world mine was a kinder, gentler Baptist.  We danced AND played cards- oh my.  Still, there was pie-think.  Not enough.  If your work didn’t point people to Jesus it lacked value.  Imagine what that kind of pie mindset does to an artist, actor, writer, dancer?  When “gifts” were discussed, art was NOT ON THE LIST!  “Art is a talent not a gift.  We will put you down your gift as hospitality.”  (SOMEHOW the musicians and singers could be gifted but not visual artists or actors or dancers.)  Hospitality was the catchall gift when the labelers couldn’t squeeze the congregant into a gift box.   Turns out the problem was with the boxes, not the artists.

So many of us grew up with the mindset that the arts are extras, frivolous.  Sometimes the old sound track creeps onto the play-list inside of my head.   I fight it by painting furiously!  Sometimes, not often, but sometimes it wins.

“As American as motherhood, baseball and apple pie.”   Somehow we stopped embracing the artistry of apple pie and started seeing the pie as embodying limitation, not enough, scarcity in America.  

It is time to ditch the pie mentality and embrace a PI mentality. 

Mathematical pi never ends.  It keeps on going. 

Because creativity thrives when shared it offers a path for combating scarcity.   The arts (participants and supporters) have a purpose beyond “frivolous extra” in the fight against scarcity.  FIGHT FOR MORE!   Embrace creativity and embrace abundance.   The arts make something out of nothing.  The arts bring life back to dying neighborhoods.  Arts make life worth living.

There is enough to go around, it just sometimes takes a while. Watching the refugees/ migrants on the news it is easy to believe that scarcity wins. The pie mindset can’t see solutions because it doesn’t believe there is enough.  If you don’t believe there is enough you are blinded to possibility.

I am a tiny cog.  I mourn with those who mourn, but I also celebrate with those who celebrate.  I can be happy for their success because I believe there is enough for all of us.  I paint paintings that move from chaos to beauty.  I paint paintings that defy the disorder of the world and proclaim the possibility of beauty.

Today Steve Garber wrote:  

What we believe about the end of the story shapes the way we live the story.  

I believe the end of the story is beautiful and generous and lacking in nothing.   My paintings give voice to hope and happy endings.  So, THANK YOU!

Thank you for joining the newsletter.  Thank you for visiting my website.  Thank you for liking and commenting on facebook.   Thank you for sharing my work with your friends.   Thank you for taking time out of your busy schedule to spend with me and with my art.  Thank you for being part of my story.   

Thank you for inviting me to share my art with you.   E-cards of my paintings are free and so are encouraging words.   Prime your creative juices today and send someone an encouraging note.  And maybe enjoy a slice of pie while you write it. (Let me know what kind.  Strawberry rhubarb is my favorite, well maybe blueberry, but then raspberry, than again coconut cream…)

EAT PIE!

Gwen

PS:  I have added a few new places to interact more directly with me and share some of my art that isn’t on a website.

Facebook:  https://www.facebook.com/gwenmehargart

https://www.facebook.com/drawneartogodart

https://www.tumblr.com/blog/liturgicalsketches