Balance is an unruly dog forever digging beneath the fence and running away.

Balance is an unruly dog forever digging beneath the fence and running away.

“Balance, get back here. Bad dog, bad, BAD DOG! Go home, Balance, Go home!” (Out of breath, with hands on her hips, she stamps her foot indignantly.) End scene. The work continues.
Life continues.
The work cannot move forward without me.
Life doesn’t hesitate to leave me behind.

Some days I would rather paint than attend to life.
Wrestling beauty from chaos, my painting process,
is very much like living life.

Very much, but not quite

When I am too long in the paint,
the living becomes thin.

Not the good kind of, “oh, I lost three pounds!” thin,
but the thinness of shallowness.

The process of painting 
is the solution of,
the resolution of,
the re-solution of

one problem after another.
The process of art
is the scaling of obstacles
created
by the prior solution.

Problem-solving is addictive.
It is the “solving” that keeps the artist going.

Each painting begs the next.
Before the paint is dry,  

 the next has begun.

If not on canvas then in the heart and mind.
There is never “left-over” paint.

Never. 

In lies the dilemma: never.


The artist must fight to create a pause between works.
To live in the work is easier than living in the world.

A concerted effort is required to stand by and walk out one’s priorities.

Life informs creativity. When this is not true, you can see it in the work. The work reveals technique rather than the heart.


Years and life develop character and art.

The line of separation
between art and life
is a fine line indeed.

Creativity and life are inconvenient. 

It is significantly easier to deal
with pigment and substrate
than to engage
emotions and humanity. Honestly, it is easier to paint than deal with myself.

Artists forget that art flows from the living.

The cart is in front of the horse.
The horse is confused
and we wonder,
“Why we aren’t getting anywhere?”

Art for art’s sake.  
That old trope?

Yes.
And
no.

Art is not either/or.
Art is both/and. 

We (and by we I mean I.)

We
push and push
until there is nothing left to draw from.
There is only technique.

Thinness.  Shallowness.

The work! The work!
It becomes idol

Idols are attractive because of their ease.
No thinking.
No questions.
Dogma.

The work! The work! A calling.

When does one’s calling become one’s idol?

Through social media, I recently reconnected with an elderly artist. Almost seventy years of stellar work. In his late 80s, he continues to create achingly poignant work.

Alone.

Divorced several times (still looking for that “sugar-momma”.)
No children.
“Children are a distraction,” he told me. And yes, all six of my children were and are glorious distractions. They are also inspiration.

Before I had children I “did not have time to paint.” For me, children brought focus. Clarity. And, yes, distraction.

Elderly artist lived a life dedicated to the work. His focus was always first and foremost his art. He was bitter when I met him a dozen years ago and he remains bitter today.

Rattled- I turned to the powers of Facebook- I looked up some of elderly artist’s peers.


I found another artist friend also dedicated to his craft but who just celebrated his 90th birthday and sixty-ninth wedding anniversary with wife, children, grands, and greats. From his LIFE flowed great art and generosity.


Both men painted and taught. One joyous. One bitter. One alone. One surrounded by family. Both made beautiful and significant work. They began in relatively the same place and they have ended up artist peers.

 It is their journeys that diverged.

Sobering. Sobering is a good word because there is an addictive euphoria experienced when the artist is in “the zone.”

You can’t drink from a dry well.
What fills the well?
Values? Priorities?

When how we spend our time does not line up with our stated/believed values and priorities, it is time to ask if those truly ARE our values.

Talk.
Walk.

Saturday I stopped in the middle of “the work” and a tight deadline for a museum festival, coconut ice cream, and artist lecture at the Amon Carter with Jubilee.

I did not want to stop. Jubilee did not want to go. Niggling at the back of my consciousness were two elderly artists. Life called. The work called. For a few hours I chose to allow life to inform the work. And we had fun.

The work is not my life.

The work is an important part of who I am but it is not who I am.

The workflows from living.
Work from work produces technique. Work as an overflow of life produces heart. When I paint I put my heart into the work. I am giving the best of me in that moment. The best of me is less when I am consumed with the work.

(Make no bones about it, being consumed by the work is AWESOME!)

Some weeks play out better than others.
This past weekend I chose wisely.

It takes more discipline than I am usually able to muster to keep first things first. Family. Books. Journaling. Nature.

If these are not in place the art suffers.
My soul suffers
– and yet –
I continually neglect family, friends, reading, horses, all the things that make me who I am.


Thank goodness I am not a weaver or it would be quite the tangled web. I am discovering, gradually, that during those seasons when I am most vigilant to protect my values, those seasons when I diligently stand by my priorities, that I am at peace and the art flows.

Today I know my priorities.
Next week I may forget.
If
I forget,
WHEN
I forget,
will remind me?

Go now,
live and love.
There are no guarantees
that the work,
no matter the work,
is anything but an empty idol.

Never lose perspective…
and when you do lose perspective-
course correct.
Don’t waste time beating yourself up.
There is neither time nor energy for that.
When you recognize the drift, straighten up.
ASAP.

Create a life
from which flows
abundant beauty.

PS I was reading e.e. cummings and how he diddled with fonts and word placement.I have always loved to diddle with the words and after reading about cummings I am giving myself permission to diddle with the words.I do hope you were more entertained than annoyed. Peace out, Gwen


PPS or PSS
I had my hair done today. Laura Valles at Salon District in Fort Worth. Monday they open in a new location at 207 South Main FW. A talented array of creatives. We have worked with Laura for going on 11 years. I had color in my hair back in the day. I HAVE COLOR AGAIN! And it is SWEATER weather today.


PPPS. (or whatever) The images are work in progress shots of a painting I am creating as a storyteller for the Human Rights Initiative 2018 fundraiser. It is not finished yet. The reveal will happen at the Rock Your HeART Out October 27th, 2018.

If you are in, near, or can get to Dallas. It will be worth your time and money to attend. Here is a documentary about one of last year’s clients. https://www.youtube.com/watch?v=eNlpfm_2VYs&featur…

And a final note, PPPP?S? I am planning on learning how to crop my images before the next email, but let us NOT hold our collective breaths. PEACE Y’ALL!

 

Parties and Faulty Computers

I have a new HP computer.  A RED laptop with a large screen.  (Color was the same prices as regular silver! )  IT IS BEAUTIFUL!  Things are in different places than I am accustomed to seeing them.  I did not realize how well trained I am to a particular screen size.  My neck swivels with this screen!

I have used my new computer for three weeks.  Last night the plugin for the power cord stopped working!  It works- IF I jiggle the cord.  It is too soon to be jiggling things to get them to work.

So instead of writing the pithy and clever email tI intended, I am spent just shy of an hour online with support. (It was SO HARD not to put support inside of quotes- unironically of course.)  Palash helped me.  I do not know if Palash is a woman or a man.  I think I will google it.  Hang on a minute.  I will be right back.

THANK YOU FOR WAITING. 

Here is what I found.  Flowery Tree.  So I think female.  Nope.
Palash means Green or blossom of the tree Butea Frondosa (Sanskrit: किंशुक, Hindi: पलाश). It is a species of Butea native to tropical and sub-tropical parts of the Indian Subcontinent and Southeast Asia. The flowers are used to prepare traditional Holi color. It is said that the tree is a form of Agnidev, God of Fire.   Names are awesome.  I should have googled it while I was waiting to see if Palash knew how google interpreted his name.  Next time. (OH! I HOPE THERE IS NO NEXT TIME!)

  Back to my first world tale of woe.

I live in Benbrook, which is a suburb of Fort Worth, which when lumped together with Dallas and Arlington and a few other close neighbors is the FOURTH LARGEST metropolitan in the United States.  HP is charging $25 for one way shipping because they do not have any other options “in my area.”  MY AREA!  That time the quotes indicated my snarky verbalization of “in my area.”  There, I did it again.

So I type into the chat that I am not happy about paying the $25 since it is a brand new machine and the machine is faulty.  Eventually, Palash offers a $15 option that takes longer to get to me.  Well, I NEED my computer this week to get ready for the reception on Saturday so waiting two more days for the box allows me to work and jiggling is not that difficult.

OH, DO COME IF YOU CAN!  
To the RECEPTION ON SATURDAY!
January 27, 2018, 6 – 9 Gallery 414
414 Tempelton, FW, TX. 

So I take the lesser option and ask for a way to complain about no pickup options in the fourth largest metropolitan area in the entire United States of America.  What Palash offers is a discounted extended warranty that will include shipping for this time.  This reduces the price and we take the two years extended warranty.  David did point out that the laptop only cost $400.  Well, now it cost $475.  The last laptop lasted 7 or 8 years.  Jubilee is using it for her school.  If this one lasts five years that averages out to $95 a year.  That prorates to $7.95 a month for the computer.  I get $8 of use out of it each month.  Cost less than Netflix or Hulu.

A longtime friend died last Tuesday.  She had a rare bile duct cancer and lived only eight months after diagnosis.  She was a good woman.  Her daughters, 28 and 26 are good women.  Her husband is a good man.  My computer requires that I jiggle the power cord to get it to work.
Perspective.
Perspective is sobering.
Sherry’s funeral starts four and a half hours before I need to be at Gallery 414 to set up for the reception.

Sometimes we fuss over jiggling cords to take a break from real life.

When I stop jiggling the cord and I stop jiggling with Palash who was so kind on HP tech support the other emotions roll in.  Sherry was miserable and in a great deal of pain.  It was hard to tell which was worse, cancer or complications from treatments.  She fought the good fight and now she is at rest and at peace.  I cry for all that Sherry will miss as her daughters come into their full humanity.  Maybe there will be spouses, possibly children, certainly adventures.  I cry for the young women who will be there for each other but will desperately miss their mother.  I cry for Mitch who will be fine- eventually.  Normal will never be again.  Only a new normal.  A normal forever with a piece missing.

The emotions come with clarity.  Clarity that death brings concerning the illusion of control.   Control is all mirrors and vapers.

So, I gripe about my computer which I will put in a box that the Fed Ex person will collect from me while standing on my front porch.  Seven to nine days later the box will magically reappear on my front porch and my computer will be fixed.  By that time the reception will be over and I will have gotten a great deal of painting done because I can’t work without my computer.

First world problems and parties.

If you can not make it to the reception, I sincerely hope you will take a few extra moments to see something beautiful.
Maybe in a museum.
Maybe tea in a beautiful cup.
Maybe in an independent gallery or alternative creative space.
Wherever you are and whatever beauty you are beholding, remember me.  Just a nod.
Remember control is an illusion and embrace the moment, open your heart, and receive the beauty offered.
In sharing my art, I am also sharing my heart.  When you receive beauty, in that moment your heart is open to more.
May, this week, your heart be touched ever so gently.
May you receive and exude beauty.

peace out, Gwen

 

Cookies and Art! Win/win

Saturday, January 27th from 6 to 8 Gallery 414 Artist Reception for Centering Abstraction.  A four-person exhibition curated by Barbara Koerble. 

Barbara was inspired when she noticed connections between the ways the artists incorporated traditional drawing techniques in untraditional ways in their paintings.  Each artist found a unique way to blur the line (maybe I intended that pun)  between painting and drawing. All four artists use color to reflect their hopeful spirits.   I am thrilled to be part of this collaboration.

PLEASE COME TO THE RECEPTION which begins at 6 and runs to 9 Saturday evening January 27th, 2018.  happy new year!
Gallery 414 414 Templeton Dr, Fort Worth, TX 76107
There will be cookies.
Cookies and art.  A huge Win/Win!

Here are a few details from  Silver and Horsemint, one of my paintings that is in the show.  I hope to see you there.
If you can not be there, please invite friends in Fort Worth and the Metroplex.   This is my first gallery show in the Metroplex and the more the merrier!

Yee Haw! 

Thank you, Gwen

Life, Death, and Serendipity

Gerda, Stephanie, Joyce, Gwen once upon a time at an IAM gathering in NYC

Last night I learned of a friend’s death.
She died in September of 2015.
Joyce and I had corresponded for ten years. Not often, but once a year or so, and we spent time together each year at the International Arts Movement (IAM) gatherings. We would sit together, and share meals, friends, and stories. October 2014 was the last IAM gathering and Meaghan Ritchey did a splendid job putting it all together. That week Joyce and I wondered what would happen to the friendships of such widely dispersed people held together by this brief annual meeting. Artists and creatives from across the states and around the world. For some of us, this connection kept us going throughout the rest of the lonely year. We wondered and hoped for the best. After the glorious grand finale banquet, Joyce and I shared a cab. It was raining and icky out. I was planning on taking the subway, but my hotel was on the way to her’s so it was not an imposition. Besides, the end of something so important is hard and the cab ride extended the event a few more minutes.

 

I remember the last time I spoke with Joyce, but I do not remember when it was. Joyce called rather than write. It was so good to hear her voice. It did not seem like a goodbye.
Joyce was an important person who knew important people. People whose work I admired while it hung on the walls of my favorite museums. To me, they were abstract art gods, names on labels and in books. To Joyce they were friends. Her stories were not about celebrities, but people. Some of these people happened to be celebrities.

While she moved in big city circles, she lived in Colorado and had a western mindset and heart. Perhaps our pioneer roots connected? Or, maybe it was something more mundane and yet extraordinary that began our friendship.

Kara Walker: My Complement, My Enemy, My Oppressor, My Love

Wait a minute, I knew about the Marie Walsh Sharpe Art Foundation from International Arts Movement (IAM) gatherings in NYC. I knew Marie Sharp! (I wrongly assumed, with the passage of time, that the woman speaking, the head of the Marie Sharp Foundation, was Marie Sharp.)

Sylvia gently, and with a good sense of humor, explained to me that I did NOT know Marie Sharp as she had been dead for quite a while. Eventually, we puzzled it out. The key had been when I told Sylvia that she looks like you.
Sylvia said, “You met my sister, Joyce!”

The world is small. Be careful what you say about people. You might be talking to their big sister.

The next year at the at the IAM gathering my friend and fellow creative, Ping, and I ran into Joyce in the bathroom. Joyce was important and we were not, but bathrooms are great equalizers so I told Joyce the story of meeting her sister. I had forgotten Sylvia’s name, but Joyce knew who had the book so it was not long before we had all the details sorted out. “You met my sister, Sylvia!” Laughter ensued and we all went to dinner and were fast friends ever after.

Joyce was both an encourager and a story teller. So I am.

The next year my oldest two children, Ruth Meharg and Forrest Davidson (I will explain his last name another time), joined me at IAM and I was able to introduce them to Joyce. We shared stories about life, art, and her grandchildren. Our impromptu dinner club kept growing.

I knit a “Generative Bunny” one year for the IAM show. Her she is, too big for her box!

Ruth, Forrest, and I stayed on in NYC for a few extra days after the IAM gathering to see sights and we ran into Joyce at the Strand Bookstore. She was adding to her children’s book collection. We compared our finds and she went back in to get a book that we introduced her to. (I wish I could remember which book it was.) 

Another year, crossing a street at night, Joyce pointed out two young men crossing from the other side. She called out and they exchanged waves. She told me who they were and shared their philosophies as creatives. Rex Hausmann, artist and community builder in San Antonio, and I connected later on Joyce’s recommendation. A new artist friend. (Google Rex. He is amazing!)  So many new friends.
Beyond art and family, we connected on faith. Joyce lived out of her faith. She rubbed elbows with movers and shakers and she was not moved. She was light everywhere she went. She was also tough. I like that combination. My life is brighter for her presence.

I am not sure how we started writing letters. Maybe I sent her a thank you note? Maybe she, a master communicator, sent me a note- I do not remember, but it started and I am thankful. Sometimes we wrote notes and other times letters. I wrote because she had sewn into my life and I appreciated her. I also wanted to share my creative journey. I think Joyce wrote back out of kindness.
I was aware that I had not heard from Joyce for a while, but she was a VERY busy woman and not busy in the fussy kind of way. Joyce got things done. I had no idea how long it had been since we visited.

I am not a linear thinker. I tend to bunch similar events together in my mind. All the IAM gatherings, in my heart and head, are one enormous, glorious event! I had some postcards printed with my artwork on them. They turned out so nice that I decided I needed to get back to writing notes. I wrote to Joyce.

Yesterday came the call from Colorado Springs, CO. The connection was bad. I could not understand who was calling. I asked her to call me back on the landline. By the time the caller finally heard all ten numbers the line had cleared. It was Kathi.

Kathi is Joyce’s daughter. She told me her mom had died in September 2015. I tried not to cry, but I cried a little.
Kathi and I had a good visit. She is a painter, too. I think someday our paths will cross. I hope so. Heck, out of 400+ people in a line I met her Aunt Sylvia and the next year I met her mom in a NYC bathroom. Meeting Kathi would be the least strange connection!

Joyce became sick in July and died of cancer in September. Kathi told me that her mom made the most of the time she had left after the diagnosis. Joyce made the most of her time before the diagnosis, too. Her last months were filled with family and friends. Her youngest grandchild heard Joyce give a talk about her vision. (I wonder if this was the grandchild that she was buying the books for when we ran into her in the Strand. (We crossed paths in the Strand two different years. If you are not familiar with the Strand, it would behoove you to look it up.)
Joyce sang in her church choir for decades. Kathi shared that 70 members of the choir came to the house to sing with and for Joyce. They left and she died a half hour later with her family close. It was a good end.

Tears welled up sporadically yesterday afternoon and evening. Joyce and I were separated by generation and distance, but she was dear to my heart. This morning snippets of that last conversation are coming to mind. Seems like she was telling me about new music the choir was preparing for the 2014 Christmas season.

The moral?

Write letters. Don’t wait. Surround yourself with family, friends, and people who sing songs.
Do what you are called to do. (Calling and job do not have to be the same to be happy.)
Buy children’s books. Go to banquets. Share cabs. And talk to strangers standing with you in long lines.

I am very glad I did.

But, WHERE AM I IN THE BOOK?

 

Art is not created in a vacuum.   The solitary artist is influenced by living.
The line drawn between art and artist is not often a straight line, but a culmination of what has been, what is, and what might be.
Creating is a hopeful act.   The creator hopes or the creator would not create.  Some days I am bold enough to say that without hope, creation is not possible.
I paint hope.
Hope that the mess of living will ultimately resolve into beauty.
Hope is the faith component of my work. Hope is the human component of my work.   Hope qualifies my work as a contemporary artist because I paint in response to now.   Hope, while addressing what has been and what might be,  deals directly with the here and now-today.
Awareness of past mixed and with consideration for the future empowers and enables now.
The balance is delicate.
My faith tradition is one of happy endings.
To leave unacknowledged the struggle and pain of living is disingenuous.  No life is without struggle or pain, no path is without obstacle.
This summer as a church we are reading through the book of Genesis.   I find these stories painful, partly because of how they have been preached in the past.  These are ancient and difficult stories.  So what do we do with these hard stories?  We cast them aside as fodder for the children’s programs.

Unexplored since childhood there are surprises for the adult heart.

Most of us who grew up in church heard sermons by males who failed to present a full spectrum of characters in the stories.

There are always women in the stories.
Women who are seldom considered.
Women who are dismissed, glossed over or present with bias. The female characters are presented as NOT-QUITE-HUMAN.  
(Did Michaelangelo never see a nude woman? )  The image of women is not only distorted by the greats in art but by the greats in theology, today and throughout history.

One of the joys of attending Trinity Episcopal is the consideration of the women in the stories. These women are invited to come forward, to step out from behind the wall and share their stories.    Women who have been treated as aside are treated with respect.  The women’s stories are not just included, but celebrated.
Agency is returned to the women of the Bible stories.
WHAT does this have to do with art?
Is it even remotely related?
Painting is my voice.  Visual art is my avenue to be heard.  Art gives me agency.
This past Sunday Amy Haynie, one of our priests,  shone a light on an oft-maligned or even ignored character:  Hagar.   The sermon is not yet up on the podcasts and I am so sorry for that.  I don’t know when it will go up.  I will let you know.

Here is an excerpt from the Monday morning email, this one sent by Mother Amy Haynie concerning her sermon on Hagar, “In studying the two stories of Hagar we get in Genesis, we find a remarkable woman to whom God speaks to twice. She is much more than a “slave woman.” Phyllis Trible, in Texts of Terror, wrote of Hagar,

“Most especially, all sorts of rejected women find their stories in her. She is the faithful maid exploited, the black woman used by the male and abused by the female of the ruling class, the surrogate mother, the resident alien without legal recourse, the other woman, the runaway youth, the religious fleeing from affliction, the pregnant young woman alone, the expelled wife, the divorced mother with child, the shopping bag woman carrying bread and water, the homeless woman, the indigent relying upon handouts from the power structures, the welfare mother, and self-effacing female whose own identity shrinks in service to others.” “
This is a painting of the sacrament of Holy Communion. The Eucharist. Lords Supper. 45 x 75 inches acrylic on paper by Gwen Meharg
The word Gospel means “good news.”  In today’s world, what is presented as gospel is too often wielded as a weapon of destruction.
Sunday, the third Sunday in Ordinary Time, Amy offered extraordinarily good news.

Two Choices by Gwen Meharg 30 x 22″ watercolor on paper

Amy held out evidence from the Good Book that God sees women.   And not just neat and tidy women.  Women rode hard and put up wet.   Women who have thrown under and driven over by the proverbial bus.

And the proverbial bus?
It is real.
So very, very real.
The driver of that bus looks like the invented, man-made, created God revered by generations of empowered men.  Men who have failed to use their power to

Gwen Meharg in front of Transition painting.

empower, particularly failing to empower women.

The first recorded name of God is assigned by Hagar, “God Who Sees Me.”
Another commonly used name for God is God Almighty.  El Shaddai. The Breasted One.
The Breasted One is NOT driving the bus.
Giving voice to the women in the Bible takes nothing away from men.
Giving voice to women in society today takes nothing away from men.
This is my baby, Jubilee.  She is empowered by her four older brothers and big sister.  She is empowered by El Shaddai, God Almighty, the Breasted One.   Jubilee doesn’t know the bus driver and our prayer is that she never meet him.  Our prayer is that she continues as a walking, breathing, living image of God.
Hope in Bluegreen and Silver bronze
And so I paint.  I paint hope.  I paint to give voice to stories old and I paint to make old stories new.  There may be nothing new under the sun, but that does not mean there is not something new for you and me to see.
I hope you have an enlightening week.  I hope you are seen.  I hope you are heard.  I hope that your heart and mind find peace.   Sincerely, Gwen
PS  A plethora of names for God are scattered throughout the old and new testaments.  El Shaddai, the breasted one, God Almighty is in there.
NONE of the names of God is “The Penised One.”
JUST SAYING!

I don’t believe in unconditional love

379059_10150936478140035_1325803287_nI don’t believe in unconditional love.
I don’t think I ever did.

I grew up Southern Baptist where the term, unconditional love, was bandied about, but they never meant it.

Unconditional love, IF you meet our conditions.

Um?  That is the absolute definition of CONDITIONAL love.

Our motto was, “Jesus died, once, for all.”

BUT unless you meet our conditions all does not include you.

If all does not mean ALL, did Jesus die in vain?  I asked the preacher after church one Sunday morning.

Shortly after I began asking questions like this I was offered an opportunity to work in the church nursery DURING the Sunday morning service for $$$$!  YIPPEE!!!! dsc_0008

Decades later that I realized this golden opportunity kept me from asking the preacher questions about his sermon on Sunday mornings during the exit handshake.   (Someone was very clever.)

Do I believe in Jesus?  Oh, yes, I do.
Do I believe Jesus died in vain?  No, absolutely not.
Do I believe in “once for all?”  Yes, she answered hesitantly.
Do I believe all means all?   Yeah, I do.  And that makes me a bad Christian.  I was not very good even before I came to understand that all might actually mean ALL.

Does it piss me off a little bit, all?  Well, of course.  Some people are horrible and I would like to see them burn in hell for eternity.  WOW!  Say THAT out loud three times and it will make your toes curl.  When I say it out loud, I mean it a lot less.

Apparently what I believe, now, is that no one is too horrible for Jesus.  What I really believe is that Jesus can find the image of God in all of humanity.  Even the horrible ones.  Even, me.

Holding the paradigm of ALL takes more faith than the (un)conditional love I grew up with.dsc_0014

(For the record, I grew up in a decent enough church.  FBC San Marcos.  Some Sunday School teachers were lacking.  Some of our pastors were better than others.  There was definitely a “good old boys club” and cliques abounded.  (HA!  I misspelled clique and it spell check auto-corrected to cliché.  There were definitely clichés!)  I don’t remember ANTI anyone sermons.  Talk about us versus “the other” slated for eternal damnation.  Of course, I did spend the last several years of high school working in the church nursery so if things went astray I could have missed it.)

What in the world does this have to do with art?!?

I was getting around to it.

I paint hope.  Recently I came to the end of hope for an individual who I attempted I love unconditionally.   Those attempts were to the detriment of my emotional, spiritual and physical health.  Releasing the illusion of unconditional love was crushing.  Immobilizing.  I did not paint for five days.

I.  Failed.  Love.
A love failure.
Surely if I loved enough, loved the right way, just loved unconditionally
everything would be sunshine and roses. dsc_0015

It is not as hard as one might think to blow smoke up one’s own skirt. 

My mental wellbeing required that I set down the burden of unconditional love.  Sometimes loving from a distance is the best you can do.  Sometimes loving from a distance is more than you can do.  Sometimes, sometimes, you don’t have to do anything.  Not even love.  Sometimes being who you are is enough.   Sometimes it is all.

We are human.  We have victories and failures.  If we are fortunate we get back up.  Not everyone makes it back to standing.  I am back on my feet.

The last several days were difficult.  They were also exceedingly enlightening.  I know myself better.  I am learning to trust myself again.  (I sought help quickly.)   Clarity is a good thing.  Even when what is cleared up is ugly.   Truth is tied to freedom in the bible.  Truth identifies the enemy within and without.

dsc_0013As I air out my smoky skirt (metaphorical skirt as my only “skirt” is really a pair of billowy pants),and put on my big girl boots and I am getting back to work.

There road is never straight.  Detours abound.  I was on a detour.  I am back onto my path.

For now.

May your detours be short and may you find beauty along the way.   Thank you and Much love (whatever that looks like)  Gwen

Magic Shows And Pragmatic Artists

Magic.

Magical.

Magicians.

I am not a fan of magicians.  dscn7954
I am too pragmatic to enjoy the illusion.
I know it is a trick.
I don’t care how it is done.

Bah humbug!

BUT WHAT IF …  I drank the cool-aid?  I saw what I wanted to see?

Would it be different if I were to suspend pragmatism?

I ENJOY CHILDREN ENJOYING MAGIC.

Jubilee and I attended the Texas State Fair in Fair Park Dallas this year and we were captivated by a very mediocre magician’s captivation of his young audience.  The children were enthralled and we embraced their enthusiasm.

dscn7995Silly trick.  OOOOOOOH.
Lame trick.   AHHHHHHH.
Corny trick.  Applause!

The children did not care that his tricks were old.
They did not care that his tricks can be purchased on the toy as aisle at BoxMart.
The children enjoyed not knowing, the brisk fall air, the early rising moon sharing the sky with the setting sun, an outing
with their parents and grandparents on a school night, and being fooled.

dscn7994Our State Fair magician ended with a fine illusion that I thoroughly enjoyed.
A beautiful illusion with a rope and knots and a box.   By then I did not care that it was a trick.  I embraced the illusion.

Akin to the frog who jumped into the pot of cool water and he did not notice,
because the heat was added gradually,
that the water was boiling and he was being cooked alive. 

dscn7989Well poop!

This blog has taken an ugly turn.
I thought I was writing about magic and the difference between magic and illusion.
Turns out I am writing about politics in America. 

I am a Christian.  Not a very good one, either.
It means I read my bible and carry with me a hope for something more and greater.
It means I believe that human beings are created in the image of God, male and female.
The bible says NOTHING about “race” just that we are created in God’s image and God’s image is male AND female.  (Isn’t THAT interesting?  Not say male OR female, but male and female.)

dscn7993The bible commends a childlike heart.
It also admonishes the reader to put away childish things.

There is a huge difference between childlike and childish.

A childlike heart is how and why I paint.
A childlike heart allowed me to enjoy a magician’s performance and the joy of the young audience.

dscn7960Childishness allows a huckster,
like the midway barker,
to lead a nation down a merry trail and to the edge of a precipice.

I am almost 56.
My first memory is of weeping adults in our living room, huddled around the television, watching the news of President Kennedy’s assassination.
I was almost 3.

I feared for the lives of President Obama and his family during their administration.  I prayed and I am still praying.

dscn7986This past year America has entered into times unprecedented in my lifetime.
More recent than ancient history, the times we are repeating are not really so long ago.  .
What is happening on our streets and in our local YMCA’s is reminiscent of stories my parents,
who are in their 80s, told of prejudice and discrimination when they were young adults.

Things are being said and done by average citizens, “good people,” that are not okay.

I don’t know who you voted for and that is probably a good thing.

dscn7996Regardless of who you voted for …
IF you are NOT racist …  now is the time to evaluate who you are and what you stand for before you go over the edge of the cliff.
IF you are NOT racist …  now is the time to get out of the boiling water and speak up for our brothers and sisters of color.

dscn7985Yesterday my cousin and I were standing in line to order lunch and an elderly lady behind us was wearing a huge safety pin in her turquoise t-shirt.  She told us, “It means I have your back.”

It is time to sit down and ask our created in the image of God, American selves,
“Whose back do I have?”
And, “What does that look like for me and my family?”

Rats Scurry. People Ought Not.

14947789_1325730707479339_9033128899126711905_nI am writing from Holly Colorado.   I am sitting on the second floor (corner room) with a lovely window that rounds what would typically be a square corner.   Since I am working that makes this a CORNER OFFICE!  I. Have. Arrived.

Looking out I see other buildings, like mine from the mid 1800s and all the inner corners facing the cross streets are rounded.  It is quite lovely.

 

It was also disorienting during the night trying to find the bed  in a room with five walls instead of four.    I was the thing that went bump in the night.

This morning I am brewing PG Tips tea in a clear water bottle sitting on my corner window ledge.  It won’t be ready until this afternoon, but today I am not participating in the rat race.

Today I will not scurry.  Rats scurry.  People, while more than a few are rat-like, ought not to scurry.  Nothing good comes from the scurry.
For the past month I have been scurrying.  Yes, I finished three paintings, but the scurry did not get them done.  Actually, IF I had avoided the scurry I am certain that at least one more would be complete and possibly one or two more.  Scurry shuts down the brain’s ability to truly prioritize.

The urgent obliterates the important.

I KNOW this and yet….dsc_0126

Today I am on my way to Denver to spend time at the Denver Art Museum (DAM) and the Stills Museum next door.  Maybe some Red Rock hiking.  We will see.  We will see.   Instead of scurrying out and speed (not speeding!) towards Denver I decided to sit down. I am sitting in my simple corner room and watching my tea begin its slow brew.

It is quiet except for the occasional passing pick up truck.  The sunshine is nice.  Breathing is nice.
(Wow, that last pick up had a muffler!)
Carley Hughes, our priest at Trinity Episcopal Church in Fort Worth, challenged us to take 30 seconds- just THIRTY SECONDS- five times a day and be still.  I wanted to do it.  I was certain I could do it.

I have not done it yet.

It has been two weeks.  TODAY I am taking my 2 1/2 minutes to just be still.  Maybe I’ll talk to God.  Maybe I will just listen.  Maybe I will just be.

My art comes from connecting with the world around me.  From readi
ng.  From journaling.  From connecting disparate ideas and concepts.   I can’t do that scurrying.   I have to be still.  In my mad dash to “get it all done,” to “do it right,” TO JUSTIFY MAKING ART I have cut myself off from the joy of what I do and who I was created to be.

Scurrying is not good for anyone.  dsc_0102
It is not good for me.
It is not good for my family.
It is not good for my art.
It is not good for my community.

I wager that it is not good for you.

Give Carley’s challenge a go this week.
Thirty seconds, morning, meals, bedtime.
Find two and a half minutes to connect with yourself and your greater purpose.

A purpose beyond politics.

Time to check out.  (Literally, it is check-out time at the inn.)

PEACE!

Its Monday AGAIN

Strength Triptych each section is 40 x 25" acrylic on paper.  Framed
Strength Triptych each section is 40 x 25″ acrylic on paper. Framed

It is Monday again.

Monday with all that entails.
The hopes and dreads.
The fresh start and the repetition of again.

Opposites colliding?  Maybe.

Opposites inhabiting a shared time and space?  Definitely.

We don’t live in an either / or world.

More often than not truth is found in both / and.

Black or white is not so black and white.

Gwen Meharg 30 x 22 " acrylic on watercolor paper.
Gwen Meharg 30 x 22 ” acrylic on watercolor paper.

I love painting with black.  A rainbow of hidden colors explode when water is added.
Black paintings are “hard to sell” and that is too bad because a black painting makes a statement.

The statement?  Well, there will be many,
but the statement is always one of defiance.
A refusal to be defined.  A refusal to be limited.   A refusal to be seen one dimensionally.

It is Monday again.

The last Monday with my eldest daughter, artist and author Ruth Meharg, and her husband, artist and men’s fashion illustrator Matthew Sunflowerman Miller.  They leave on their next grand adventure Wednesday.  They begin in Italy.  Then an island off of Africa.  Then who knows.

To say that we will miss them is an incredible understatement.
To say that we are thrilled about their adventure is another understatement.
Opposite emotions residing in a single heart, a single mind.

Easy answers are cheap.  Certainty is cheap.

Detail of work in progress by Gwen Meharg
Detail of work in progress by Gwen Meharg

Faith.  Not knowing.  Hope.  Defying not knowing.

I used to believe in either / or.

I don’t any more.
I am becoming ever more intimate with both / and.

Transition Into Now.

Transition by Gwen Meharg 4 x 5 ' Acrylic on Canvas with Rice Paper Collage
Transition by Gwen Meharg 4 x 5 ‘ Acrylic on Canvas with Rice Paper Collage

Transition
Season
Today
Now
Each word.
A finer point.

Fine points.
Sometimes they hurt.  If they are mishandled.
Fine points.
Sometimes they are just what we need.  If we know how to use them.

My friend Claudia introduced me to felting.
My artist daughter Ruth taught me how.

Paintings March 2014 074
Searching for Home. by Gwen Meharg 22 x 30″ 2014 Acrylic on paper with Hand Carved Linocuts

Long thin notched needles are used to hand felt.
I’ve felted my way through several packages of 50.
Ruth still uses her first felting needle.

Stylistic difference?

Today my bonus baby, Jubilee, waited under a pomegranate tree for the school bus.
I home schooled for 22 years.

For both of us this year will be vastly new.
This year I focus on the marketing side of my art business.
This year Jubilee is going into 6th grade.

Benbrook built a new “middle school” this year and we thought Jubilee would go there.  Nope.
They decided to move the elementary school students into the new building and move the middle school students into the 28 year old elementary school.  (I watched the elementary school being built so to me, it will always be the “new school.”)  The street between the elementary school and the middle/high school was closed off to make one enormous middle school/high school campus.  The middle school students will cross over to the high school for extra curriculars and lunch.

Sixth graders are so tiny.  Twelfth graders are SO BIG!

Paintings March 2014 068
All That Glitters by Gwen Meharg 12 x 10″ Acrylic on Paper

Jubilee has five older siblings.
Jubilee is NOT intimidated by the older kids.
Actually, she is not easily intimidated.

Not easily, but occasionally. 

This morning Wesley, our 70 pound boxer mix, and I walked the half mile to the bus stop with Jubilee.  (Uphill in the rain!) She did not need us there.  She rode her brother Peter’s scooter.  We could not keep up.  Infrequently she deemed to wait for us.  We were thankful.

Jubilee was chill.  Wesley was NOT chill.
He suspected something ominous was about to go down.  It did.  Jubilee pulled her chair out of the neighbor’s bushes and plopped down to wait for the bus.  We left Jubilee at the bus stop.

Wesley and I walked home.
Wesley whimpered.  I groaned about the humidity.

At 8:30, school start time, Wesley and I drove to the bus stop to take Jubile to school.
The bus did not come.
She was chill.  Wesley was ecstatic.
We drove the two miles to school and spied a passel of students in a myriad of sizes trudging up a zig zag wooden pathway to a bottleneck of a door.  They disappeared into the building.

3419b106-0cad-4a1e-befd-4439be107afc
River Glow II by Gwen Meharg 24 x 24 ” Acrylic, Gold Leaf, Acrylic Collage on Canvas. Available at Dahlia Woods Gallery in San Marcos, Texas.

An image of German prisoners marching to the gas chambers flashed before my eyes.  I shook it off.

I pulled our painted van over and told her to follow the crowd.

That is not really what I want her to do.
Follow the crowd.
I want her to make her own way.
And try not to step on others along the way.

This morning,
she followed the crowd.

As an artist the push and pull of the crowd is very real.
Follow the muse.
Keep clients happy.
Consider this year’s Pantone IT colors?
Consider decorator trends?

Does SIZE MATTER?

I want to make paintings that invite stories.  I want my paintings to create ambiance.   I want my paintings that invite contemplation.  ( I read that looking at a painting for three hours can make you smarter.  I want to paint paintings that won’t be boring after three hours. )  I want to make paintings that incite passions.

River Glow I by Gwen Meharg 24 x 24" Acrylic, Gold Leaf and Acrylic collage on Canvas. Available at Dahlia Woods Gallery in San Marcos, Texas
River Glow I by Gwen Meharg 24 x 24″ Acrylic, Gold Leaf and Acrylic collage on Canvas. Available at Dahlia Woods Gallery in San Marcos, Texas

I am prolific.  A jump in with both feet kind of spirit. Juggling children and art has been my passion for 27 years.

Can I even make art without the energy of children in the house?  Can I paint if I am not juggling?  Do I even remember how to focus?

I hope so.

It is 2:15 and I have a business call at 2:30.  I pick Jubilee up at 3:30.  We have an appointment at the barn at 4.  I don’t even know if swim team starts today, later this week, or next week.  The boys were supposed to tell me and we all forgot and watched the closing ceremonies of the 31st Olympics.  My calendar for tomorrow is full.  Next Wednesday my eldest and her husband move to Italy.

It was good to have Ruth and Matthew home today.  I helped with a photo shoot.  I was not lonely.  It was not silent. I don’t remember silent.

Poor Wesley.  He is hanging off his doggie bed, his head under my chair.  Wesley reveled in the early summer hubbub of everyone here.   Eleven human beings.  Family dog heaven.

Harvest Moon mixed media on paper (acrylic, watercolor, collage) 22 x 22
Harvest Moon
mixed media on paper (acrylic, watercolor, collage) 22 x 22

Every once and a while Wesley and I hear thunder.

It is 2:28.
I am glad I have you to keep me company.

Very sincerely, Gwen Meharg