Missing Denial

Dear Ones, Have you noticed how sometimes life is funny? Sometimes it is not.  And sometimes it is hard to tell the difference.  When I don’t know whether to laugh or cry, I just do both. There has been a lot of both as Winter gives way to Spring. Spring tends transition for me. The North Texas winds always stir up something that is best not stepped in.

So, I was remembering when Jubilee was little.  When she was little  EVERYTHING was family.

“Oh, a family of trees.”“Look a family of clouds.” “Yummy, a family of broccoli!” “Awe, cute, a family of rocks.” You name it, if there was more than one, it translated into family.  This ability to transmogrify just about anything was likely the result of being the adored youngest of six siblings.  24/7 there was someone waiting in line to hold Jubilee and we did not set her down for six weeks after her arrival. Thus, she saw the world as family.

Humans love to personify everything.  We give animals, particularly those closest to us: dogs and cats, personalities.  While they DO have personalities, sometimes the motives we assign to their actions and expressions push reason

Does that cat truly hate me or is that just resting cat face?

Inanimate objects garner personhood.  MY PHONE HATES ME!  My car has it out for me.  Heck, there are those in our government who deem corporations people, too!

Denial has been a HUGE part of my life.And you know what?I miss denial.I am not certain if I miss denial as a person or a place.Either way, I miss her.
OH! A person.

Lately, I have been considering, reconsidering, and restructuring my relationship with denial.  Denial was a safe place to visit, but I planted stakes and built a home.
Ah HA!! A place.

Thinking I was doing myself and those I loved a favor, I camped out (place) with her (person) for far too long.The trouble with living in or with denial is that denial is not a real place nor is she a real friend.

Denial is a protective mechanism, but a false defense.  Eventually, the edges fray and it all begins to unravel.  (Wow, a thing!I wonder how many metaphors I can incorporate into this sordid tale?)

A recent Friday resulted in a complete unraveling of my delusion.  No more pretending.  It was interesting because I had already begun gathering my things from Camp Denial.  The first draft of the break-up missive had been composed.I was steeling myself for a new reality when the phone rang.  I usually cannot find my phone.T  his particular Friday it was in dang my pocket.

While I am no longer living in denial, every now and again I remember something and I run back to collect it.  The soundtrack of this breakup is Simon and Garfunkel’s “The Sound of Silence” which begins, “Hello darkness, my old friend…”Paul Simon said, “…we have people unable to touch other people, unable to love other people. This is a song about the inability to communicate.”

“Alexa, play The Sound of Silence by Simon and Garfunkel.”  “Alexa, play it again.”  “Alexa…”It reminds me that things are not hunky dory and that the reality of NOT hunky dory is still better than the delusion of denial.

Denial, person, place, or thing, is an inability to communicate clearly with one’s self.  While I miss the pretense of safety and well-being of denial, denial crippled me, estranging me from myself and from people who love me and from people who might love me.

Processing what I miss, I am discovering that what I miss was only a vapor.  I am enjoying discovering me.  I don’t know how this me interacts with the world.  I am nervous about how the after break up me, in a new location, will paint.Like so many artists, there is discovery in the process of painting.

Spring has sprung here in North Texas.  The windows are open.  The birds are singing.  I just saw the largest coyote I have ever seen (my heart claims it was a wolf, but google searches say there are no longer wolves in North Texas).  The family, my family, and a dear friend are meeting for a birthday picnic at the Fort Worth Botanic Gardens.  Maybe I don’t miss denial after all.  HAPPY SPRING, ALL Y’ALL!  Much love, Gwen

2048 Distractions

Hello, Dear One,
I hope that you have enjoyed the reprieve from gray skies and welcome rains.
(At least the rains were welcome in my neck of the woods.)

I have been SO busy! Two thousand and forty-eight distractions eating away at my time and vitality.

Two thousand and forty-eight.  A rather specific number.  Did you catch the reference?  If you did I am quite sorry because if you did it is also quite possible that you also have 2048 distractions sucking the brains out of your head.

For those of you who have yet to succumb to the addiction- DON’T!  There is a computer “game” called 2048 Tiles.  A small box in the top right-hand corner of the screen tracks your high score.  The high score sits, in the upper right-hand corner, TAUNTING me!

It is insidious.  Was my high score a fluke?  Luck?  Skill?
If it was skill then – surely – I can do it AGAIN.Go ahead, PROVE that it was more than luck.  “Do BETTER and THEN you can quit.”   Each time I fail to achieve or best my “high score” my ego punches me in the gut and snarls, “IDIOT! Can you NOT do BETTER?”  Sometimes there is only the internal, “Grrrrrrrrrrowl.”

It.

Mocks.

Me.

The “game” is not inherently evil, but it is akin to the Amazon Book Addiction Wraith which perpetually asks, “If you like THIS book, surely you will love THAT book.” (Okay, so the exact wording may be a little off, but if you have ever hit that button to look at that next book, well, my sympathies.)

What does this have to do with art?

Everything.

Forrest, my eldest son, was paid $150 for a t-shirt design: I have not yet begun to procrastinate.

Tree.
Apple.

Truthfully, while Forrest can indeed procrastinate with the best procrastinators, he is, more often than not, laser focused.

Apple.
Tree.

I, too, am capable of both.  World class procrastination and laser focus.  When I had six small children at home there was no time for procrastination.  Twenty hours a week painting and the rest of the time was mommying, homeschool, horses, the occasional friend, and the sacred nap.

Thinking is harder than doing.  With so many precious ones underfoot, all I could do was DO.  There was no time for second-guessing.

Now with only a single middle school daughter at home and there is time to think.  There is time for second-guessing.  Oh, and second-guessing is brutal.  Brutal and paralyzing.

Rather than deal with self-doubt and second-guessing, I self-medicate.  Enter 2048 Tiles.  There are myriad of self-medicating procrastinations available to us all.  The only question is, “Which poison?”

Preparing for Centering Abstraction on the heels of the holidays kept me focused.
Preparing for the DTS show in Dallas kept me focused.

Then I sat down to catch my breath.  Catching one’s breath is a good thing.
Picking up the computer mouse is not a bad thing.
Playing a couple games on the computer is not a bad thing.
Playing more than a couple games…
a.
bad.
thing.

So I stalled out for a few days.  Spun in the breeze like a wind-sock on the end of a pole.  At the end of the pole, spinning in one of our infamous North Texas thunderstorms, I saw the heart of my particular form of procrastination.  Fear.  Fear of “what if?”

What if my parents are right?
I will never amount to anything.  No one will love me.  I will never be good enough.
What if my sister is right?
I am a talentless c#%+.

THIS TIME I was armed.  This time I had answers to the question, “What if….?”
The answer is, “It was never about me.”

This past week I pushed through some procrastinations.  I reworked my artist statement for two different venues.  I applied for a scholarship and asked for a job.  I have not heard about the job – yet- but I did get a magazine cover and the check is in the mail!  There were successes that I pooh-poohed because I “could have…”

I caught myself and I took time to sit back and see that, while I flitting away too much time on the computer, I had actually spent six to eight hours a day painting and writing and following through with responsibilities and possibilities.  I also made it to bed before 1 a.m.   FOUR TIMES this past week- just call me Susie Sunshine!

The last Sunday of the Gallery 414 show included a closing reception and an artist panel discussion about artist journeys and creating the Centering Abstraction exhibition.  The panel discussion took a turn and our fearless leaders, John Hartley and Barbara Koerble, laid down some serious wisdom.  It was the insight that I sincerely needed to hear.   Insight made tangible because I was standing in a gallery space with my work hanging with the other three artists.  So, what if my degrees are in computers and statistics.  I have put in the time and I have studied with master artists.  I am qualified.  I felt something shift.

This week self-doubt wiggled in but armed with a new understanding of where I am in my art journey I wiggled free.  I have plans for next week, but I am holding them loosely.

Art is so weird  Artists are so weird.  What is art?  What makes a person an artist?

Like the proverbial Facebook status: It is complicated.

I will not attempt to answer either question EXCEPT that one knows it when one sees it.  If the art tugs at your heartstrings, it is art.  If it calls to you might need to take it home.  Art in an investment in your soul.

May your heart find joy this week.
Joy in art.
Joy in nature.
Joy in the smile of a stranger.
Joy.

Peace out, Gwen

Cookies and Art! Win/win

Saturday, January 27th from 6 to 8 Gallery 414 Artist Reception for Centering Abstraction.  A four-person exhibition curated by Barbara Koerble. 

Barbara was inspired when she noticed connections between the ways the artists incorporated traditional drawing techniques in untraditional ways in their paintings.  Each artist found a unique way to blur the line (maybe I intended that pun)  between painting and drawing. All four artists use color to reflect their hopeful spirits.   I am thrilled to be part of this collaboration.

PLEASE COME TO THE RECEPTION which begins at 6 and runs to 9 Saturday evening January 27th, 2018.  happy new year!
Gallery 414 414 Templeton Dr, Fort Worth, TX 76107
There will be cookies.
Cookies and art.  A huge Win/Win!

Here are a few details from  Silver and Horsemint, one of my paintings that is in the show.  I hope to see you there.
If you can not be there, please invite friends in Fort Worth and the Metroplex.   This is my first gallery show in the Metroplex and the more the merrier!

Yee Haw! 

Thank you, Gwen

Life, Death, and Serendipity

Gerda, Stephanie, Joyce, Gwen once upon a time at an IAM gathering in NYC

Last night I learned of a friend’s death.
She died in September of 2015.
Joyce and I had corresponded for ten years. Not often, but once a year or so, and we spent time together each year at the International Arts Movement (IAM) gatherings. We would sit together, and share meals, friends, and stories. October 2014 was the last IAM gathering and Meaghan Ritchey did a splendid job putting it all together. That week Joyce and I wondered what would happen to the friendships of such widely dispersed people held together by this brief annual meeting. Artists and creatives from across the states and around the world. For some of us, this connection kept us going throughout the rest of the lonely year. We wondered and hoped for the best. After the glorious grand finale banquet, Joyce and I shared a cab. It was raining and icky out. I was planning on taking the subway, but my hotel was on the way to her’s so it was not an imposition. Besides, the end of something so important is hard and the cab ride extended the event a few more minutes.

 

I remember the last time I spoke with Joyce, but I do not remember when it was. Joyce called rather than write. It was so good to hear her voice. It did not seem like a goodbye.
Joyce was an important person who knew important people. People whose work I admired while it hung on the walls of my favorite museums. To me, they were abstract art gods, names on labels and in books. To Joyce they were friends. Her stories were not about celebrities, but people. Some of these people happened to be celebrities.

While she moved in big city circles, she lived in Colorado and had a western mindset and heart. Perhaps our pioneer roots connected? Or, maybe it was something more mundane and yet extraordinary that began our friendship.

Kara Walker: My Complement, My Enemy, My Oppressor, My Love

Wait a minute, I knew about the Marie Walsh Sharpe Art Foundation from International Arts Movement (IAM) gatherings in NYC. I knew Marie Sharp! (I wrongly assumed, with the passage of time, that the woman speaking, the head of the Marie Sharp Foundation, was Marie Sharp.)

Sylvia gently, and with a good sense of humor, explained to me that I did NOT know Marie Sharp as she had been dead for quite a while. Eventually, we puzzled it out. The key had been when I told Sylvia that she looks like you.
Sylvia said, “You met my sister, Joyce!”

The world is small. Be careful what you say about people. You might be talking to their big sister.

The next year at the at the IAM gathering my friend and fellow creative, Ping, and I ran into Joyce in the bathroom. Joyce was important and we were not, but bathrooms are great equalizers so I told Joyce the story of meeting her sister. I had forgotten Sylvia’s name, but Joyce knew who had the book so it was not long before we had all the details sorted out. “You met my sister, Sylvia!” Laughter ensued and we all went to dinner and were fast friends ever after.

Joyce was both an encourager and a story teller. So I am.

The next year my oldest two children, Ruth Meharg and Forrest Davidson (I will explain his last name another time), joined me at IAM and I was able to introduce them to Joyce. We shared stories about life, art, and her grandchildren. Our impromptu dinner club kept growing.

I knit a “Generative Bunny” one year for the IAM show. Her she is, too big for her box!

Ruth, Forrest, and I stayed on in NYC for a few extra days after the IAM gathering to see sights and we ran into Joyce at the Strand Bookstore. She was adding to her children’s book collection. We compared our finds and she went back in to get a book that we introduced her to. (I wish I could remember which book it was.) 

Another year, crossing a street at night, Joyce pointed out two young men crossing from the other side. She called out and they exchanged waves. She told me who they were and shared their philosophies as creatives. Rex Hausmann, artist and community builder in San Antonio, and I connected later on Joyce’s recommendation. A new artist friend. (Google Rex. He is amazing!)  So many new friends.
Beyond art and family, we connected on faith. Joyce lived out of her faith. She rubbed elbows with movers and shakers and she was not moved. She was light everywhere she went. She was also tough. I like that combination. My life is brighter for her presence.

I am not sure how we started writing letters. Maybe I sent her a thank you note? Maybe she, a master communicator, sent me a note- I do not remember, but it started and I am thankful. Sometimes we wrote notes and other times letters. I wrote because she had sewn into my life and I appreciated her. I also wanted to share my creative journey. I think Joyce wrote back out of kindness.
I was aware that I had not heard from Joyce for a while, but she was a VERY busy woman and not busy in the fussy kind of way. Joyce got things done. I had no idea how long it had been since we visited.

I am not a linear thinker. I tend to bunch similar events together in my mind. All the IAM gatherings, in my heart and head, are one enormous, glorious event! I had some postcards printed with my artwork on them. They turned out so nice that I decided I needed to get back to writing notes. I wrote to Joyce.

Yesterday came the call from Colorado Springs, CO. The connection was bad. I could not understand who was calling. I asked her to call me back on the landline. By the time the caller finally heard all ten numbers the line had cleared. It was Kathi.

Kathi is Joyce’s daughter. She told me her mom had died in September 2015. I tried not to cry, but I cried a little.
Kathi and I had a good visit. She is a painter, too. I think someday our paths will cross. I hope so. Heck, out of 400+ people in a line I met her Aunt Sylvia and the next year I met her mom in a NYC bathroom. Meeting Kathi would be the least strange connection!

Joyce became sick in July and died of cancer in September. Kathi told me that her mom made the most of the time she had left after the diagnosis. Joyce made the most of her time before the diagnosis, too. Her last months were filled with family and friends. Her youngest grandchild heard Joyce give a talk about her vision. (I wonder if this was the grandchild that she was buying the books for when we ran into her in the Strand. (We crossed paths in the Strand two different years. If you are not familiar with the Strand, it would behoove you to look it up.)
Joyce sang in her church choir for decades. Kathi shared that 70 members of the choir came to the house to sing with and for Joyce. They left and she died a half hour later with her family close. It was a good end.

Tears welled up sporadically yesterday afternoon and evening. Joyce and I were separated by generation and distance, but she was dear to my heart. This morning snippets of that last conversation are coming to mind. Seems like she was telling me about new music the choir was preparing for the 2014 Christmas season.

The moral?

Write letters. Don’t wait. Surround yourself with family, friends, and people who sing songs.
Do what you are called to do. (Calling and job do not have to be the same to be happy.)
Buy children’s books. Go to banquets. Share cabs. And talk to strangers standing with you in long lines.

I am very glad I did.

I don’t believe in unconditional love

379059_10150936478140035_1325803287_nI don’t believe in unconditional love.
I don’t think I ever did.

I grew up Southern Baptist where the term, unconditional love, was bandied about, but they never meant it.

Unconditional love, IF you meet our conditions.

Um?  That is the absolute definition of CONDITIONAL love.

Our motto was, “Jesus died, once, for all.”

BUT unless you meet our conditions all does not include you.

If all does not mean ALL, did Jesus die in vain?  I asked the preacher after church one Sunday morning.

Shortly after I began asking questions like this I was offered an opportunity to work in the church nursery DURING the Sunday morning service for $$$$!  YIPPEE!!!! dsc_0008

Decades later that I realized this golden opportunity kept me from asking the preacher questions about his sermon on Sunday mornings during the exit handshake.   (Someone was very clever.)

Do I believe in Jesus?  Oh, yes, I do.
Do I believe Jesus died in vain?  No, absolutely not.
Do I believe in “once for all?”  Yes, she answered hesitantly.
Do I believe all means all?   Yeah, I do.  And that makes me a bad Christian.  I was not very good even before I came to understand that all might actually mean ALL.

Does it piss me off a little bit, all?  Well, of course.  Some people are horrible and I would like to see them burn in hell for eternity.  WOW!  Say THAT out loud three times and it will make your toes curl.  When I say it out loud, I mean it a lot less.

Apparently what I believe, now, is that no one is too horrible for Jesus.  What I really believe is that Jesus can find the image of God in all of humanity.  Even the horrible ones.  Even, me.

Holding the paradigm of ALL takes more faith than the (un)conditional love I grew up with.dsc_0014

(For the record, I grew up in a decent enough church.  FBC San Marcos.  Some Sunday School teachers were lacking.  Some of our pastors were better than others.  There was definitely a “good old boys club” and cliques abounded.  (HA!  I misspelled clique and it spell check auto-corrected to cliché.  There were definitely clichés!)  I don’t remember ANTI anyone sermons.  Talk about us versus “the other” slated for eternal damnation.  Of course, I did spend the last several years of high school working in the church nursery so if things went astray I could have missed it.)

What in the world does this have to do with art?!?

I was getting around to it.

I paint hope.  Recently I came to the end of hope for an individual who I attempted I love unconditionally.   Those attempts were to the detriment of my emotional, spiritual and physical health.  Releasing the illusion of unconditional love was crushing.  Immobilizing.  I did not paint for five days.

I.  Failed.  Love.
A love failure.
Surely if I loved enough, loved the right way, just loved unconditionally
everything would be sunshine and roses. dsc_0015

It is not as hard as one might think to blow smoke up one’s own skirt. 

My mental wellbeing required that I set down the burden of unconditional love.  Sometimes loving from a distance is the best you can do.  Sometimes loving from a distance is more than you can do.  Sometimes, sometimes, you don’t have to do anything.  Not even love.  Sometimes being who you are is enough.   Sometimes it is all.

We are human.  We have victories and failures.  If we are fortunate we get back up.  Not everyone makes it back to standing.  I am back on my feet.

The last several days were difficult.  They were also exceedingly enlightening.  I know myself better.  I am learning to trust myself again.  (I sought help quickly.)   Clarity is a good thing.  Even when what is cleared up is ugly.   Truth is tied to freedom in the bible.  Truth identifies the enemy within and without.

dsc_0013As I air out my smoky skirt (metaphorical skirt as my only “skirt” is really a pair of billowy pants),and put on my big girl boots and I am getting back to work.

There road is never straight.  Detours abound.  I was on a detour.  I am back onto my path.

For now.

May your detours be short and may you find beauty along the way.   Thank you and Much love (whatever that looks like)  Gwen

Its Monday AGAIN

Strength Triptych each section is 40 x 25" acrylic on paper.  Framed
Strength Triptych each section is 40 x 25″ acrylic on paper. Framed

It is Monday again.

Monday with all that entails.
The hopes and dreads.
The fresh start and the repetition of again.

Opposites colliding?  Maybe.

Opposites inhabiting a shared time and space?  Definitely.

We don’t live in an either / or world.

More often than not truth is found in both / and.

Black or white is not so black and white.

Gwen Meharg 30 x 22 " acrylic on watercolor paper.
Gwen Meharg 30 x 22 ” acrylic on watercolor paper.

I love painting with black.  A rainbow of hidden colors explode when water is added.
Black paintings are “hard to sell” and that is too bad because a black painting makes a statement.

The statement?  Well, there will be many,
but the statement is always one of defiance.
A refusal to be defined.  A refusal to be limited.   A refusal to be seen one dimensionally.

It is Monday again.

The last Monday with my eldest daughter, artist and author Ruth Meharg, and her husband, artist and men’s fashion illustrator Matthew Sunflowerman Miller.  They leave on their next grand adventure Wednesday.  They begin in Italy.  Then an island off of Africa.  Then who knows.

To say that we will miss them is an incredible understatement.
To say that we are thrilled about their adventure is another understatement.
Opposite emotions residing in a single heart, a single mind.

Easy answers are cheap.  Certainty is cheap.

Detail of work in progress by Gwen Meharg
Detail of work in progress by Gwen Meharg

Faith.  Not knowing.  Hope.  Defying not knowing.

I used to believe in either / or.

I don’t any more.
I am becoming ever more intimate with both / and.

Kiss My Great Aunt Fanny

Confession.  I do nor did I ever have a Great Aunt Fanny.

Gwen Meharg in front of Transition painting.
Gwen Meharg in front of Transition painting.

I had an Aunt Mary who was ALL KINDS of magnificent.
Aunt Mary is my Auntie role model.  Everything I know about Auntie-ing I learned from Aunt Mary.
She could balance a tea cup on her massive breats!  She rocked full figure.
I was enamored as a child  and after I grew up we developed a deeper relationship and she was even more awesome.  I saw her cut out a blouse pattern and sew it by HAND in an afternoon.

There was a cousin Franny and there was a Boo bouncing around the family tree, but no Fanny.
But
-honesly-
you DO know what I am saying, dontcha?

This morning I took Wesley on this morning walk before Jubilee left for school.  If I leave before 7: 45 my walk is in the shade.  I love shade.  Not all of it is in the shade.

I was wearing my, “Oh Lord, I am gonna sweat and I hate sweating!” clothes.  They fit close and are supposed to magically wick away puddles of perspiration.  They sorta work.

Freedom From Expectations by Gwen Meharg 30 x 22 " watercolor and collage on watearcolor paper
Freedom From Expectations by Gwen Meharg 30 x 22 ” watercolor and collage on watercolor paper

Passing between shadows the morning sun caught me from behind and there to the left and in front of me, N by NW, was my shadow!  I liked how the low angle of the sun elongated my physique.  From the inside of my head I look like that shadow.  Long and lean.

From the outside I am formerly 5’6”, currently 5’5”, and 175 pounds.  I have been 175 pounds since my bonus baby arrived 11 ½ years ago.  I am reconciled to 175.  I am less reconciled to outweighing my father-in-law by 40 pounds, but such is life!

My shadow melted back into the tree shadows and my mind took a meandering journey.

Carolyn.  Carolyn was one of my best friends.  She died when Peter was four months old.  Peter is 17.  I have lost a great many friends.  Carolyn is the only one who I still reach for the phone to call.

Carolyn was brilliant.  She was talented.  She was kind.  Carolyn could say things and I would hear her.

My shadow reminded me of one time when Carolyn came for a visit.  She would bring her embroidery scissor and snip knots from out Ribbons’, mane.  Ribbons, our black and white long haired cat with the spirit of a dog.  Snip.  Snip.  Snip.  Just a few hairs at a time.  She was so careful and gentle.

Ribbons loved Carolyn, too.

One visit I opened the door and she was so thin.  She looked great!  Just like a magazine model!
Carolyn had been away for treatment and my voluptuous curvy friend came home model thin.

She was sick.  Very sick and she looked magnificent.  We talked about it.  How horrifying that to look like the models, the ideal, one had to be dying.

What is wrong with us when death is our standard of beauty?

Perspective by Gwen Meharg 22 x 20" watercolor on paper
Perspective by Gwen Meharg 22 x 20″ watercolor on paper

Wesley caught scent of a bunny and my mind wandered down its own rabbit trail.  Models.  Magazines.  Clothing.  Thin Within.  Thin Within is a women’s large size clothing catalog that showed up unsolicited in our mailbox.  UGH!

Husband David doesn’t rant or rail often but Thin WIthin set him off.   “Look at the name of this catalog.  Thin WITHIN! It is so offensive.  They are targeting large women and through the title insinuating that they can gain value by embracing their inner thin-girl.  That by wearing cloths offering the illusion of thinness they are okay!”

My misogyny radar is usually tightly tuned but I missed it.  David, deep thinker that he is, did not miss it.

I remember hearing conversations in both Poland and Ukraine that ran along the lines of, “How can she let herself be so fat?  Why doesn’t her husband leave her?”

Maybe she was THIN WITHIN! (She replied snarkily through clenched teeth.)

Jonquel Norwood. Holiday Series 2015 https://www.instagram.com/p/BAz9VckSfMG/
Jonquel Norwood. Holiday Series 2015
https://www.instagram.com/p/BAz9VckSfMG/

Look!  Geese migrating!  Migrating.  Migration.  Jonquel.  Jonquel and Kirkland moved from New Orleans to Atlanta to NYC.  Thriving.  Jonquel’s art is taking off.  Jonquel, her magnificent self and magnificent art.  Isn’t Jonquel the best name ever for an artist!      

Jonquel and her husband are Ruth and Matthew’s dear friends from SCAD Atlanta.  Jubilee and I stayed a couple times with them when we were in Atlanta to see Ruth.  Jonquel came to Ruth’s wedding and fixed Faith’s hair.  Her illustrations are all sorts of wonderful.  She is building her name painting curvy women.

Jonquel is a curvy woman.  Through her art she and others are seeing and embracing the beauty of curves.  I am so proud of my beautiful friend.

Jonquel Norwood Fashion Illustrator.
Jonquel Norwood
Fashion Illustrator.

Death be afraid.

I am learning to embrace myself.  I have a way to go.  I have not worn a swim suit in years.  Before Jubilee was born I swam 3 to five miles a week.  In July for Josiah’s 21st birthday the entire family floated down the San Marcos River together.  Six kids, two spouses, and my spouse, David, the aforementioned feminist hero.  IT WAS AWESOME.

I could not even find my swim suit so  I wore my nifty sweat wicking pants and a long sleeved shirt.  I looked thin within.  SNORT!

I don’t look like my shadow.
Do I have to be a shadow of myself before I am acceptable to myself?
Am I playing into death’s game?

I DID eat a doughnut and a mini-cinnamon roll and almond and ginger cookies for lunch yesterday, but I had company so it doesn’t count.

Squirrel!

I am 55.  I am strong.  Mostly.  I compensate and find ways to work around the inconveniences of aches and pains.  Genetically speaking, I have another 40 years to go.  It is time to love myself and my body.  Within and without.

Two Choices by Gwen Meharg 30 x 22" watercolor on paper
Two Choices by Gwen Meharg 30 x 22″ watercolor on paper

A shadow is not a good role model.
I don’t want to be a shadow.
I want to be the whole enchilada.

Hmmm.  Enchiladas.
Didn’t eat breakfast.
Wesley and I walked over a mile this morning.
(Uphill both ways!)

Gotta go.  Eat.

 

Transition Into Now.

Transition by Gwen Meharg 4 x 5 ' Acrylic on Canvas with Rice Paper Collage
Transition by Gwen Meharg 4 x 5 ‘ Acrylic on Canvas with Rice Paper Collage

Transition
Season
Today
Now
Each word.
A finer point.

Fine points.
Sometimes they hurt.  If they are mishandled.
Fine points.
Sometimes they are just what we need.  If we know how to use them.

My friend Claudia introduced me to felting.
My artist daughter Ruth taught me how.

Paintings March 2014 074
Searching for Home. by Gwen Meharg 22 x 30″ 2014 Acrylic on paper with Hand Carved Linocuts

Long thin notched needles are used to hand felt.
I’ve felted my way through several packages of 50.
Ruth still uses her first felting needle.

Stylistic difference?

Today my bonus baby, Jubilee, waited under a pomegranate tree for the school bus.
I home schooled for 22 years.

For both of us this year will be vastly new.
This year I focus on the marketing side of my art business.
This year Jubilee is going into 6th grade.

Benbrook built a new “middle school” this year and we thought Jubilee would go there.  Nope.
They decided to move the elementary school students into the new building and move the middle school students into the 28 year old elementary school.  (I watched the elementary school being built so to me, it will always be the “new school.”)  The street between the elementary school and the middle/high school was closed off to make one enormous middle school/high school campus.  The middle school students will cross over to the high school for extra curriculars and lunch.

Sixth graders are so tiny.  Twelfth graders are SO BIG!

Paintings March 2014 068
All That Glitters by Gwen Meharg 12 x 10″ Acrylic on Paper

Jubilee has five older siblings.
Jubilee is NOT intimidated by the older kids.
Actually, she is not easily intimidated.

Not easily, but occasionally. 

This morning Wesley, our 70 pound boxer mix, and I walked the half mile to the bus stop with Jubilee.  (Uphill in the rain!) She did not need us there.  She rode her brother Peter’s scooter.  We could not keep up.  Infrequently she deemed to wait for us.  We were thankful.

Jubilee was chill.  Wesley was NOT chill.
He suspected something ominous was about to go down.  It did.  Jubilee pulled her chair out of the neighbor’s bushes and plopped down to wait for the bus.  We left Jubilee at the bus stop.

Wesley and I walked home.
Wesley whimpered.  I groaned about the humidity.

At 8:30, school start time, Wesley and I drove to the bus stop to take Jubile to school.
The bus did not come.
She was chill.  Wesley was ecstatic.
We drove the two miles to school and spied a passel of students in a myriad of sizes trudging up a zig zag wooden pathway to a bottleneck of a door.  They disappeared into the building.

3419b106-0cad-4a1e-befd-4439be107afc
River Glow II by Gwen Meharg 24 x 24 ” Acrylic, Gold Leaf, Acrylic Collage on Canvas. Available at Dahlia Woods Gallery in San Marcos, Texas.

An image of German prisoners marching to the gas chambers flashed before my eyes.  I shook it off.

I pulled our painted van over and told her to follow the crowd.

That is not really what I want her to do.
Follow the crowd.
I want her to make her own way.
And try not to step on others along the way.

This morning,
she followed the crowd.

As an artist the push and pull of the crowd is very real.
Follow the muse.
Keep clients happy.
Consider this year’s Pantone IT colors?
Consider decorator trends?

Does SIZE MATTER?

I want to make paintings that invite stories.  I want my paintings to create ambiance.   I want my paintings that invite contemplation.  ( I read that looking at a painting for three hours can make you smarter.  I want to paint paintings that won’t be boring after three hours. )  I want to make paintings that incite passions.

River Glow I by Gwen Meharg 24 x 24" Acrylic, Gold Leaf and Acrylic collage on Canvas. Available at Dahlia Woods Gallery in San Marcos, Texas
River Glow I by Gwen Meharg 24 x 24″ Acrylic, Gold Leaf and Acrylic collage on Canvas. Available at Dahlia Woods Gallery in San Marcos, Texas

I am prolific.  A jump in with both feet kind of spirit. Juggling children and art has been my passion for 27 years.

Can I even make art without the energy of children in the house?  Can I paint if I am not juggling?  Do I even remember how to focus?

I hope so.

It is 2:15 and I have a business call at 2:30.  I pick Jubilee up at 3:30.  We have an appointment at the barn at 4.  I don’t even know if swim team starts today, later this week, or next week.  The boys were supposed to tell me and we all forgot and watched the closing ceremonies of the 31st Olympics.  My calendar for tomorrow is full.  Next Wednesday my eldest and her husband move to Italy.

It was good to have Ruth and Matthew home today.  I helped with a photo shoot.  I was not lonely.  It was not silent. I don’t remember silent.

Poor Wesley.  He is hanging off his doggie bed, his head under my chair.  Wesley reveled in the early summer hubbub of everyone here.   Eleven human beings.  Family dog heaven.

Harvest Moon mixed media on paper (acrylic, watercolor, collage) 22 x 22
Harvest Moon
mixed media on paper (acrylic, watercolor, collage) 22 x 22

Every once and a while Wesley and I hear thunder.

It is 2:28.
I am glad I have you to keep me company.

Very sincerely, Gwen Meharg